構成数 | 1枚

合計収録時間 | 00:46:14

Hooverphonic: Geike Arnaert (vocals); Raymond Geerts (guitar); Alex Callier (keyboards, bass, programming). Additional personnel includes: Michel Dutre (cello); Youseff Yansy (trumpet, Theremin); Eric Bosteels (drums); Gota Yashiki (cymbals, percussion, programming); Luis Jardim (percussion); Dan Lacksman, Phil Chill (programming). Personnel: Alex Callier (vocals, keyboards, programming); Geike Arnaert, Liesje Sadonius (vocals); Raymond Geerts (guitar); Mark Berrow, Benedict Cruft, Christopher Tombling, Perry Montague-Mason, Rebecca Hirsch, Simon Fisher, Dermot Crehan, Vaughan Armon, Boguslav Kostecki, Cathy Thompson, Gavyn Wright, Jackie Shave (violin); Katie Wilkinson Khoroshunin, Robert Smissen, Peter Lale, Bruce White (viola); Michiel Dutre (cello); Frank Duchene (keyboards); Eric Bosteels (drums); Gota Yashiki (cymbals, percussion, drum programming); Luis Jardim (percussion); Phil Chill (drum programming). Audio Mixers: David Russell; Mark Ryan; Roland Herrington; Alex Callier. Recording information: ACP, Sint-Niklaas; Master Rock, London, England; Midas Recording Studios, Lokeren; Synsound Studios, Brussels, Belgium; Westpoint, London, England. Arrangers: Matt Dunkley; Alex Callier. Belgium's dream pop trio Hooverphonic has seemed to creatively move beyond their icy smooth seascape found on 1998's Blue Wonder Power Milk and shift into a darkwave mood on their third full-length, The Magnificent Tree. Classic embryonic vocalic beauty from Geike Arnaert still carries the translucence of the band's signature ethereality, and she shines as hard as she did on the band's previous releases. However, musical composition on songs such as "Pink Fluffy Dinosaurs" and "Frosted Flake Wood" are more intricate and sonically defined. Chief songwriter and programmer Alex Callier and guitarist Raymond Geerts aim for abstract theatrics; multi-instrumentation is brooding and creeping, but Hooverphonic's distinct maturation cannot overshadow the gorgeous, flowing soundscapes they previously laid down. It's not disheartening by any means, for Hooverphonic does compose an attractive depiction of revamped new wave elements and twisted synth-pop in the face of new millennium teendom. They are far from manufactured label-conscious musical fascism, yet still are represented by a major label. But staying true to the Julee Cruise-like ambience, songs such as "Out of Sight" and "Mad About You" are thoroughly dramatic and make for an illustrious listen. The Magnificent Tree has not completely ignored the musical mystery, and the listener shouldn't forget such mastery while Hooverphonic's cultivation had to be perfectly split. ~ MacKenzie Wilson

録音 | ステレオ (Studio)