| フォーマット | CDアルバム |
| 発売日 | 2001年08月28日 |
| 国内/輸入 | 輸入 |
| レーベル | Motown |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 014743 |
| SKU | 044001474323 |
構成数 : 1枚
合計収録時間 : 01:00:33
Personnel includes: Brian McKnight (vocals, various instruments); Justin Timberlake, Nate Dogg, Fred Hammond, Pamela Dillard (vocals); Steve Eigner, Brion James (guitar); Bill Meyers (piano); Antonio Dixon (keyboards, synthesizer); Prescott Ellison (drums); Bashiri Johnson (percussion); Anthony Nance (programming).
The St. Lunatics: Ali, Nelly, City Spud.
Producers include: Brian McKnight, Brandon Barnes, Battlecat, Anthony Nance.
"Still" was nominated for the 2002 Grammy Award for Best Male Pop Vocal Performance. "My Kind Of Girl" was nominated for the 2002 Grammy Award for Best Pop Collaboration With Vocals. "Love Of My Life" was nominated for the 2002 Grammy Awards for Best Male R&B Vocal Performance and for Best R&B Song.
Personnel: Brian McKnight (vocals, guitar, keyboards); Fred Hammond, Justin Timberlake, Nate Dogg (vocals); Brion James, Steve Eigner (guitar); Bill Meyers (piano); Bashiri Johnson (percussion); Anthony Nance (drum programming).
Audio Mixers: Dave Pensado; David Guerrero; John Goodmanson; Mick Guzauski; Peter Mokran; Steve Thompson ; Tom Bender; Tommy Vicari; Tony Flores; Tony Maserati ; Bob Brockman.
Recording information: Backroom Studios, Glendale, CA; Cello Studios, Hollywood, CA; Sony Pictures Recording Stage, Culver City, CA; Soundcastle Studios, LA.
Photographer: Herb Ritts.
Unknown Contributor Roles: Ali; Nelly.
Super-smooth R&B star Brian McKnight made a major name for himself throughout the '90s by purveying a singular, immediately recognizable brand of romantic R&B. While he hasn't jumped stylistic ship per se on SUPERHERO, McKnight has taken the opportunity afforded by fame and autonomy to stretch out a bit in whatever sonic direction happens to suit him. For instance, the opening cut is an all-instrumental orchestral interlude that sounds more like the introduction to a Steven Spielberg movie than to an R&B album. The title cut stands out not only for its quirky lyrics (which go so far as to detail the familial lineage of Superman), but for its hard rock guitar hooks, which betray a hitherto-unheard branch of McKnight's musical interests. Despite these forays beyond the usual fare, however, longtime fans will be heartened to know that there are plenty of slow, romantic sizzlers on SUPERHERO, and that McKnight's soulful falsetto can still light a fire as unfailingly as on his previous recordings.
録音 : ステレオ (Studio)
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。