Stereotype Be

構成数 : 1枚
合計収録時間 : 01:00:59
Contains a hidden track after "I Went Over The Edge Of The World". Personnel includes: Kevin Max (vocals, keyboards, tambourine); Coffee (rap vocals); Owsley (acoustic & electric guitars, background vocals); Erick Cole (acoustic & electric guitars); George Cocchini (electric guitar); John Painter (guitar, saz, trumpet, flugelhorn, Theremin); Adrian Belew (guitar, koto, drums); Lee Thornburg (trumpet, flugelhorn, French horn); Tony Levin (electric bass, Chapman stick); Matt Chamberlin (drums, percussion); Mark "Cinco" Townsend, Jamie Kinney (programming); Larry Norman, Alisa Gyse (background vocals). Personnel: Kevin Max (vocals, keyboards, tambourine, hand claps, background vocals); Coffee (rap vocals); Erick Cole (guitar, acoustic guitar, hand claps); Adrian Belew (guitar, koto, drums, hand claps); John Painter (guitar, saz, trumpet, flugelhorn, Theremin); J.R. McNeely (acoustic guitar); George Cocchini (electric guitar); Lee Thornburg (trumpet, flugelhorn, French horn); Tony Levin (electric bass, hand claps); Matt Chamberlain (drums, hand claps, percussion); Graham Elvis (hand claps); Alisa Gyse, Larry Norman (background vocals). Audio Mixer: J.R. McNeely . Recording information: Channel-Land Studio, LA, Santa Rosa, CA; OceanWay; Royaltone Studios; Sound Kitchen, Nashville, TN; The Bennethouse. Photographer: Danny Clinch. Unknown Contributor Role: Tony Levin . In the spring of 2001, Toby McKeehan, Kevin Max and Michael Tait of DC Talk released Solo. The EP aimed to introduce listeners to the trio as individuals, showcasing two songs from each of their upcoming solo releases. In July 2001, Michael Tait's project Empty was issued, followed by Kevin Max's Stereotype B in late August. Stereotype B, a much-anticipated album, combines pop, rock, and world music to create a versatile and intriguing project. Warranting multiple listening sessions, the release is intricately layered with detail and depth both musically and lyrically. Many may label Kmax as extravagant and eccentric, judging his perception and worldview as far too poetic and skewed. However, with this release he not only proclaims contentment in being the individual God created him to be, but proves to relate to the vulnerability and insecurities experienced by many. Songs include the techno rock, world music-influenced "Return of the Singer" and the pop alternative "I Don't Belong." ~ Ashleigh Kittle
録音 : ステレオ (Studio)