Tyranny

As the Strokes' music became more regimented, Julian Casablancas' work outside the band became more unpredictable. His solo debut Phrazes for the Young -- which arrived shortly before the Strokes' polished comeback Angles -- was fascinating in its freewheeling disregard for stylistic boundaries, pop song lengths, and anything that came too close to the work of his band. Tyranny follows the Strokes' meticulously crafted 2013 album Comedown Machine, and working with his new band the Voidz, Casablancas pushed himself to make something even more uncompromising than Phrazes. Drawing inspiration from his love of classic hardcore punk like Black Flag and his frustration with 21st century politics, he crafts songs that veer between sludgy thrashing and murky synth noodling. There are flashes of brilliance on almost every track, like "Father Electricity"'s wild percussion and tropical guitar, the Middle Eastern leanings of "Dare I Care"'s melody and rhythms, or "Xerox"'s loping hip-hop beat and keyboards. Casablancas remains a remarkably charismatic singer and gifted melodicist, and these assets shine on "Nintendo Blood"'s gritty synth pop and the punky "Where No Eagles Fly." Then there's the 11-minute "Human Sadness," which, despite its massive length, is the album's most accessible, memorable song thanks to the emotion in Casablancas' processed vocalizing, which bridges the track's shifts from retro synths to glistening riffs. ~ Heather Phares

ストロークスのジュリアンによるソロ2作目は、カレン・O作品などで活発化している自身のレーベルからのリリース。名義こそバンドを従えた形になっているが、前作で見せたニューウェイヴ感のアップデートを引き続き遂行し、ヴァラエティーかつ自由度の高いサウンドを作っている。ファレル・ウィリアムズやダフト・パンクとの絡みをはじめ、活動の幅を着実に広げてきた成果が無理なく反映されているとも言えよう。
bounce (C)吾郎メモ