Rock/Pop
CDアルバム

THE MIX

5.0

販売価格

¥
2,519
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1991年12月16日
国内/輸入 輸入
レーベルEMI UK
構成数 1
パッケージ仕様 -
規格品番 XA796650
SKU 077779667123

構成数 : 1枚
合計収録時間 : 01:05:06
Kraftwerk: Fritz Hijbert, Florian Schneider-Esleben, Karl Bartos, Ralf Hutter (synthesizers).
A collection of remixes of Kraftwerk classics.
1991's THE MIX is a collection of 11 often-radical remixes of Kraftwerk classics from the '70s and early-'80s. Unlike most remix projects, which merely extend the song needlessly or slap a currently-fashionable and usually inappropriate new beat on an old song, THE MIX starts from the ground up, so to speak: most of these songs are so extensively reworked that they bear only passing resemblance to the originals. For example, the opening deconstruction of "The Robots" purposely withholds the nagging four-note synth hook of the original, creating a tension throughout its nine minutes which wasn't present in the original. Similarly, "Autobahn" de-emphasizes its hypnotic beat, giving the track a looseness it's never had before. The album as a whole is beautifully sequenced, with chill-outs like the ambient-ized "Radioactivity" coming at useful intervals between the more insistent numbers. This is a textbook example of a remix album.|

  1. 1.[CDアルバム]
    1. 1.
      Robots
    2. 2.
      Computer Love
    3. 3.
      Pocket Calculator
    4. 4.
      Dentaku
    5. 5.
      Autobahn
    6. 6.
      Radioactivity
    7. 7.
      Trans Europe Express
    8. 8.
      Abzug
    9. 9.
      Metal On Metal
    10. 10.
      Homecomputer
    11. 11.
      Musique Non Stop

作品の情報

メイン
アーティスト: Kraftwerk

オリジナル発売日:1991年

商品の紹介

1991's THE MIX is a collection of 11 often-radical remixes of Kraftwerk classics from the '70s and early-'80s. Unlike most remix projects, which merely extend the song needlessly or slap a currently-fashionable and usually inappropriate new beat on an old song, THE MIX starts from the ground up, so to speak: most of these songs are so extensively reworked that they bear only passing resemblance to the originals. For example, the opening deconstruction of "The Robots" purposely withholds the nagging four-note synth hook of the original, creating a tension throughout its nine minutes which wasn't present in the original. Similarly, "Autobahn" de-emphasises its hypnotic beat, giving the track a looseness it's never had before. The album as a whole is beautifully sequenced, with chill-outs like the ambient-ized "Radioactivity" coming at useful intervals between the more insistent numbers. This is a textbook example of a remix album.|
Rovi

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