Solid＜限定盤＞

1964年6月、グラント・グリーンは『Solid』というアルバムのための燃えるようなポスト・バップ・セッションを録音しました。このアルバムは、ブルーノートが当時のギタリストのソウル・ジャズ作品で成功を収めていたため、1979年まで未発表のままとなりました。このセッションでは、ジョー・ヘンダーソン、ジェームズ・スパルディング、マッコイ・タイナー、ボブ・クランショー、エルヴィン・ジョーンズと共に、最先端のセクステットで演奏を繰り広げています。
■シングル・ジャケット仕様
〈パーソネル〉 Grant Green (g) Joe Henderson (ts) James Spaulding (as) McCoy Tyner (p) Bob Cranshaw (b) Elvin Jones (ds)

Solid is a companion piece to the Grant Green classic Matador, recorded about a month later with the same rhythm section, and also not issued until 1979. Green is once again accompanied by the Coltrane supporting team of pianist McCoy Tyner and drummer Elvin Jones, plus bassist Bob Cranshaw; this time, however, Green is also joined on the front line by James Spaulding on alto sax and Joe Henderson on tenor. Both saxophonists really seem to light a fire under the proceedings, for in comparison with the relatively subdued Matador, Solid is a bright, hard-charging affair. There's a little modal jazz, but Solid's repertoire is chiefly complex hard bop, full of challenging twists and turns that the players burn through with enthusiasm. Green didn't tackle this kind of material -- or play with this kind of group -- very often, and it's a treat to hear him do so on both counts. The compositions -- highlighted by Duke Pearson's "Minor League," Henderson's "The Kicker," and a storming, ten-minute exploration of George Russell's "Ezz-Thetic" -- provoke some intricate improvisations from Green, and his perfectly controlled soloing is an interesting contrast with the passionate Spaulding and Henderson. Tyner and Jones are once again telepathic in their support, elevating the whole package to one of Green's strongest jazz outings and a unique standout in his catalog. [Oddity: the CD bonus track "Wives and Lovers" seems to be the same one included on Matador, where it was a better fit.] ~ Steve Huey