Barulhinho Bom

構成数 : 1枚
合計収録時間 : 00:57:04
Personnel: Marisa Monte (vocals, bells); Carlinhos Brown (vocals, guitar, caixa); Waldonys Menezes (vocals, accordion); Cesinha (vocals, drums); Fernando Caneca (guitar, viola); Arto Lindsay (guitar); Abe Appleman, Donna Tecco, Elliot Rosoff, Alvin Rogers , Mark Feldman , Sandra Park, Elena Barere, Richard Sortomme, Gene Orloff, Max Ellen (violin); Chuck Wilson (flute, tenor saxophone); Fernando Aponte, Patrick Dillett, Roberto Marques (recorder); Jack Stuckey (clarinet, baritone saxophone); Bernie Worrell (clarinet, Clavinet); Peter Ecklund (trumpet); Art Baron (trombone); Marco Lobo (drums, congas, bongos, caixa, ganza, pandeiro, surdo, triangle); Monica Millet (percussion); Andres Levin (sampler). Audio Mixers: David Robbins ; Fernando Aponte; Alex du Jonge; Patrick Dillett. Liner Note Author: Marisa Monte. Recording information: Estudio Impressao Digital (10/13/1995-07/??/1996); Estudio Impressao Digital, Rio De Janeiro, Brazil (10/13/1995-07/??/1996); Kampo Audio (10/13/1995-07/??/1996); Kampo Audio, Video, NY (10/13/1995-07/??/1996); Teatro Carlos Gomes (10/13/1995-07/??/1996); Teatro Carlos, Rio De Janeiro, Brazil (10/13/1995-07/??/1996); Teatro Guararapes (10/13/1995-07/??/1996); Video (10/13/1995-07/??/1996). Editor: Warner Chappell. In the 21st century mainstream pop scene of Brazil, Marisa Monte is one of the few young successful artists concerned with delivering music based in the rich culture of that country, which has yielded her an unwanted "cult" tag. While most pop productions overflow with electronic drum machines and keyboards, taken from the beginning to the end by American grooves, this album evidences a search for a personal synthesis of the required elements for a successful commercial career together with a respectful treatment to the Brazilian music richness. One of the discs of this double-album release was recorded live during her Northeastern tour Cor-de-rosa e Carvao from 1994; it is no surprise that she included several Northeastern instruments (like accordion and percussion) and grooves, which add to the album's interest. The songs cover two hits from the tropicalia times, "Panis Et Circensis" (Caetano Veloso/Gilberto Gil) and "Cerebro Eletronico" by Gilberto Gil (her vocal delivery here is clearly inspired by Gal Costa's). Also deserving mention is a beautiful samba by the authentic composer Paulinho da Viola, "A Danca da Solidao," which was again a big hit in her interpretation. The rest of the 16 songs are divided between Monte's originals, hits by the latest generation of Brazilian pop composers, and other hits, including George Harrison's "Give Me Love" (the only foreign composition). ~ Alvaro Neder
録音 : ステレオ (Studio)