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Blu-ray Disc

Le Petit Soldat (小さな兵隊)(Criterion Collection)

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871pt

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フォーマット Blu-ray Disc
発売日 2020年01月21日
国内/輸入 輸入
レーベルCriterion Collection
構成数 1
パッケージ仕様 -
規格品番 CCIN3106BR
SKU 715515240215

※日本語字幕無し

構成数 : 1枚

BLU-RAY SPECIAL EDITION FEATURES
・High-definition digital restoration, approved by cinematographer Raoul Coutard, with uncompressed monaural soundtrack
・Interview with director Jean-Luc Godard from 1965
・Interview with actor Michel Subor from 1963
・Audio interview with Godard from 1961
・New English subtitle translation
・PLUS: An essay by critic Nicholas Elliott

New cover by F. Ron Miller

Cast
Michel Subor … Bruno Forestier
Anna Karina … Veronica Dreyer
Henri-Jacques Huet … Jacques
Paul Beauvais … Paul
Georges de Beauregard … Activist leader
Laszlo Szabo … Laszlo
Jean-Luc Godard … Man at the railway station

Credits
Director … Jean-Luc Godard
Producer … Georges de Beauregard
Screenplay … Jean-Luc Godard
Director of photography … Raoul Coutard
Editor … Agnes Guillemot
Editor … Lila Herman
Editor … Nadine Marquand
Editor … Nadine Trintignant
Music … Maurice Leroux

France
1963
88 minutes
Black & White
1.33:1
French

  1. 1.[Blu-ray Disc]

Before his convention-shattering debut, Breathless, had even premiered, Jean-Luc Godard leapt into the making of his second feature, a thriller that would tackle the most controversial subject in France: the use of torture in the Algerian War. Despite his lack of political convictions, photojournalist Bruno Forestier (Michel Subor) is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement. Anna Karina (in her first collaboration with Godard, whose camera is visibly besotted with her) is beguiling as the mysterious woman with whom Forestier becomes infatuated. Banned for two and a half years by French censors for its depiction of brutal tactics on the part of the French government and the Algerian fighters alike, Le petit soldat finds the young Godard already retooling cinema as a vehicle for existential inquiry, political argument, and ephemeral portraiture-in other words, as a medium for delivering "truth twenty-four times per second."

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