30年以上にわたり、予測不能な方向へ急変するサウンドアイデンティティで劇的な変化を遂げながら進化を続けるAFIの再び大胆な12作目となるニューアルバムがRun For Cover Recordsよりリリース。初期のハードコア・パンクやEcho & the Bunnymenのようなサウンドを経て、デス・ロックとポスト・パンクの混合に辿りつき、Sisters of MercyやBauhaus、Siouxsie and the Bansheesなどから強く影響を受けた夢幻的で幽玄な世界観を表現。暗く異世界的な雰囲気ながら、壮大で威厳があり、鋭くも美しい、非常にAFIらしい作品でありながら、これまで聞いたことのないバンドの新たな一面を提示する渾身の1枚。
発売・販売元 提供資料(2025/08/12)
After years slowly evolving their sound, while simultaneously indulging their pent-up 80s fantasies with Blaqk Audio, AFI go all in on the gear-shifting Silver Bleeds the Black Sun. A logical step in their late-era growth, this set takes them further yet from their youthful hardcore days, leaning into the adult goth-rock and post-punk that had been a highlight on predecessors The Blood Album and Bodies. The lush and layered production is the real standout here, spreading over each song like a haunted shadow to create a fitting atmosphere of sexy menace, dangerous edge, and a certain macabre comfort in its nostalgic embrace. Directly influenced by the bands collective love of groups such as Echo and the Bunnymen, Sisters of Mercy, Bauhaus, and Siouxsie and the Banshees, its a straightforward exercise in hero worship. From the lurching, feedback-drenched "Behind the Clock" to the cavernous, Cure-esque "A World Unmade," Davey Havoc, Jade Puget, Adam Carson, and Hunter Burgan expertly nail this aesthetic. "Holy Visions" gallops along an insistent beat, squiggly New Order-esque bass, irresistible groove, and vocal theatrics that Havoc was made for, falling somewhere in between Peter Murphy and Andrew Eldritch in his delivery. "Ash Speck in a Green Eye" takes a similar approach, cranking up the tension a few degrees further. There are plenty of moments where fans of both of Havoc/Pugets projects might wonder if these were once Blaqk Audio ideas; indeed, Silver Bleeds might be better received by that faction of the fan base than those expecting any raucous punk-rock blasts (the frantic spook-show thrill of "NOONEUNDERGROUND" comes closest to their early-aughts output). As it stands, this 12th effort is an outlier in their catalog for sure, but also one of their tightest and most enthralling. Pushing the quartet onto yet another exciting path of artistic and creative evolution, Silver Bleeds the Black Sun is a fully committed, thematic foray into the darker corners of the AFI experience. ~ Neil Z. Yeung
Rovi