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Rock/Pop
LPレコード

Die Healing<限定盤/Marble Red Vinyl>

0.0

販売価格

¥
36,490
税込
ポイント15%還元

販売中

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発送目安
7日~21日

この商品は1回の注文で2点までとなります。

フォーマット LPレコード
発売日 2025年09月12日
国内/輸入 輸入
レーベルThe Circle Music
構成数 1
パッケージ仕様 ボックス
規格品番 MVD19027LP
SKU 617669420379

構成数 : 1枚

  1. 1.[LPレコード]
    1. 1.
      Dark World
    2. 2.
      Dark World
    3. 3.
      One Mind
    4. 4.
      One Mind
    5. 5.
      Let the End Begin
    6. 6.
      Let the End Begin
    7. 7.
      Sloth
    8. 8.
      Sloth
    9. 9.
      Trail of Pestilence
    10. 10.
      Trail of Pestilence
    11. 11.
      Return of the Zombie
    12. 12.
      Return of the Zombie
    13. 13.
      In the Asylum
    14. 14.
      In the Asylum
    15. 15.
      Just Another Notch
    16. 16.
      Just Another Notch

作品の情報

メイン
アーティスト: Saint Vitus

商品の紹介

After enduring an ill-fated, one-album association with Swedish vocalist Christian Lindersson (on 1992's disappointing C.O.D.), and still reeling from the departure of venerable longtime frontman Scott "Wino" Weinrich, the three remaining members of Saint Vitus reunited with their fellow band-founding brother, Scott Reagers, after ten years apart, for what would be their recorded epitaph: 1995's very aptly named Die Healing LP. And although this swan song, much like its predecessor, found Saint Vitus putting almost all of their eggs in the basket of sluggish doom tempos, to the dismay of all but the most committed fans of the genre (lone exceptions being driving closer "Just Another Notch" and the quasi-thrashing mid-section of "Let the End Begin," featuring a Mark Adams bass solo), the vast superiority of Reagers' vibrato-laden voice over Lindersson's sleepy monotone made for a much stronger album, overall. In fact, Reagers may be the biggest star of the show on Die Healing, significantly livening up some of guitarist Dave Chandler's creeping, three-chord exercises, including "Dark World," "Return of the Zombie," and "Trail of Pestilence," where Chandler himself ignites some jaw-dropping fireworks with his electrifying solo. Neither of them is capable of bringing much excitement to the rather obviously named "Sloth," nor the comically true-to-its-word "In the Asylum," while "One Mind" simply regurgitates the chord progression from Black Sabbath's "Hand of Doom" a little too blatantly for comfort. Nevertheless, for fans who had endured the C.O.D. debacle and lived to tell the tale, Die Healing turned out to be a pretty respectable -- if hardly career-saving -- final farewell for these long-serving (and long-suffering) heavy metal icons. ~ Eduardo Rivadavia
Rovi

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