| フォーマット | ULTRA HD Blu-ray |
| 発売日 | 2023年09月19日 |
| 国内/輸入 | 輸入 |
| レーベル | Criterion Collection |
| 構成数 | 2 |
| パッケージ仕様 | - |
| 規格品番 | CCIN3485UHD |
| SKU | 715515286916 |
※日本語字幕無し
構成数 : 2枚
4K UHD + BLU-RAY SPECIAL EDITION FEATURES
・New 4K digital restoration, with uncompressed monaural soundtrack
・One 4K UHD disc of the film and one Blu-ray with the film and special features
・New audio commentary featuring film historian Joseph McBride
・Filming "The Trial," a 1981 documentary about the film's production
・Archival interviews with Welles, actor Jeanne Moreau, and director of photography Edmond Richard
・Trailer
・English subtitles for the deaf and hard of hearing
・PLUS: An essay by author Jonathan Lethem
New cover by Nessim Higson
Cast
Anthony Perkins … Josef K.
Jeanne Moreau … Marika Burstner
Elsa Martinelli … Hilda
Suzanne Flon … Miss Pittl
Madeleine Robinson … Mrs. Grubach
Romy Schneider … Leni
Orson Welles … Albert Hastler, the advocate
Max Buchsbaum … Examining magistrate
Arnoldo Foa … Inspector A
Jess Hahn … Second assistant inspector
Thomas Holtzmann … Bert, the law student
Fernand Ledoux … Chief clerk
Wolfgang Reichmann … Courtroom guard
Akim Tamiroff … Bloch
Maurice Teynac … Deputy manager
Max Haufler … Uncle Max
Paola Mori … Court archivist
William Chappell … Titorelli
Michael Lonsdale … Priest
Credits
Director … Orson Welles
Written by … Orson Welles
Based on the novel by … Franz Kafka
Producer … Alexander Salkind
Producer … Michael Salkind
Director of photography … Edmond Richard
Editor … Fritz H. Mueller
Art direction by … Jean Mandaroux
Music by … Jean Ledrut
Prologue scenes by … Alexandre Alexeieff
Prologue scenes by … Claire Parker
France, Italy, Yugoslavia
1962
118 minutes
Black & White
1.66:1
English
A feverishly inspired take on Franz Kafka's novel, Orson Welles's The Trial casts Anthony Perkins as the bewildered office drone Josef K., whose arrest for an unspecified crime plunges him into a menacing bureaucratic labyrinth of guilt, corruption, and paranoia. Exiled from Hollywood and creatively unchained, Welles poured his ire at the studio system, the blacklist, and all forms of totalitarian oppression into this cinematic statement-a bold, personal film that he himself considered one of his greatest. Dizzying camera angles, expressionistic lighting, increasingly surreal locations-Welles unleashed the full force of his visual brilliance to convey the nightmarish
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