Barbara Barbara We Face A Shining Future

2017年のグラミー賞では最優秀ダンス/エレクトロニック・アルバムにノミネートされた9作目のスタジオ・アルバム!

オリジナル・リリース:2016年3月18日
■仕様
LP:180gブラック・ヴァイナル / ハーフスピードでカットし、最高品質のオーディオを実現するために入念にチェック
アートワーク:オリジナル盤のクラシックなデザインを踏襲したダブルゲートフォールド仕様 / 他の2025年LP再発盤と並べると統一感のあるイメージになる新しい背表紙アートワークを採用

In the six years since the release of their merely good effort Barking, electronica veterans Underworld were tied up with big things, like solo projects, Eno collaborations, film scores, and the 2012 Summer Olympics in London, where they were musical directors for the opening ceremony. Take all that into consideration, and this excellent 2016 LP seems more closely linked to its predecessor, and acts like a natural swing-back-into-action after getting the too-busy-/tries-too-hard/return-to-form album out of the way. Barbara Barbara, We Face a Shining Future is also an album longtime fans will instantly embrace, but it's an evolution as well. Bookended with excellent surprises, it opens with a dark, half-tempo track that's got Gary Numan in its veins ("I Exhale") and closes with a masterful work that mashes Kraftwerk, classical music, and the blissful Underworld found on their 1999 album Beaucoup Fish ("Nylon Strung"). The title "Low Burn" captures the album's mood while the song's lyrics "Be beautiful, be free" capture the spirit. Vocalist Karl Hyde proves to be a master of the cut-up style of writing throughout, reaching a high point on the acid house throwback "If Rah," where his layered words and phrases make him the optimist's version of William S. Burroughs. Member Rick Smith co-produces the album with the help of the group High Contrast, and the results are a lean effort that flows as well as their early albums, with the new age-y interlude "Santiago Cuatro" best taken in this context, and coming off plain and puzzling otherwise. Near perfect and a step forward as well, Barbara Barbara, We Face a Shining Future belongs on Underworld's top shelf. If it's considered to be "late-era," it must also be considered "miraculous." ~ David Jeffries

6年ぶりとなる新作は、意表を突くボウイのベルリン3部作を彷彿とさせるオープナー、眩いアンセム"Low Burn"、滋味深い多幸感の溢れる終曲まで、アンダーワールドとしての宿命に縛られずに制作されたというが、この薄暗くも耽美なテクノ・アートを長らく待っていたファンも多いはずだろう。リック・スミスの亡父が病床で妻に語りかけた言葉から取ったというタイトルも沁みる、一聴では決して紐解けない円熟の一枚。
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