Don Blackman＜完全生産限定盤＞

ドン・ブラックマン "隠れた宝石" と言われる 1982年のデビュー作『Don Blackman』

才能あるキーボーディスト、ヴォーカリスト、コンポーザーとして、パーラメント・ファンカデリック、ロイ・エアーズ、ウェルドン・アーヴァインといったアーティストとの仕事で、高い評価を得ていたドン・ブラックマン。1982年にリリースしたセルフ・タイトルのデビュー・アルバムのレッドカラー・ヴァイナル。
洗練された音楽性、キャッチーなグルーヴ、心に響く歌詞で、リリース当時は商業的な大成功は収められなかったが、後に、コレクターやミュージシャンから絶賛され、ファンクとジャズ・フュージョンの傑作として、長年にわたって人気を博している。更に、ヒップホップやネオ・ソウルといったジャンルにも影響を与え、著名アーティストによってサンプリングされた楽曲も多数収録されている。ドン・ブラックマンのデビュー作は、今も、1980年代の"隠れた宝石"として輝き続けている。

Don Blackman could never be accused of clogging the bins with his own records. Prior to this 1982 debut for GRP -- the songwriter/keyboardist/vocalist's lone LP until 2002 -- he was quite visible, though only as a desired touring and session hand, with connections to Parliament/Funkadelic, Lenny White/Twennynine, and Weldon Irvine. At this point in his career, he was riding high on the successes of Twennynine's "Peanut Butter" and Bernard Wright's "Haboglabotribin'," two monstrously funky cuts he penned and was spotlighted on. He seemed to approach the first opportunity to flex on his own as if he was on a mission -- his self-titled album is as phenomenal as anything else his contemporaries were producing at the time (George Duke in particular), elegantly merging styles and adding new dimensions with each passing track. Beginning with a call-and-response P-Funk-style roof shaker, Blackman and friends then roll into a pair of tender midtempo grooves, where the leader's sweet and easy voice shines as brightly as his tickling touches of piano and keyboard. (Do check Lenny White/Twennynine's "Best of Friends" for a precursor to these highlights.) The first side is closed out with one of the album's heaviest moments; neither kicking horns nor grinding guitar riffs are out of place. Side two is almost the equal of the first, bounding just as freely between gritty and smooth numbers. Blackman would continue to be valuable to others throughout the '80s, '90s, and 2000s, but this is his greatest achievement, a happy-spirited, genre-blending affair that can enrich the lives of those who hear it. Can you hear it, though? That's the question. The album has remained scarce, though intermittent bootlegs and reissues (including Expansion's legit 2006 issue) have popped up throughout the years. Nevertheless, many of its components have been sampled by producers of rap and downtempo house alike. So you've probably heard some of it, but not nearly enough, and you most certainly need the full effect. ~ Andy Kellman