Soul/Club/Rap
CDアルバム

Tweekend [PA]

0.0

販売価格

¥
2,190
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2001年09月19日
国内/輸入 輸入
レーベルOut Post
構成数 1
パッケージ仕様 -
規格品番 493063
SKU 606949306328

構成数 : 1枚
合計収録時間 : 01:08:53
エディション : PA
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      PhD

      アーティスト: The Crystal Method

    2. 2.
      Wild, Sweet and Cool

      アーティスト: The Crystal Method

    3. 3.
      Roll It Up

      アーティスト: The Crystal Method

    4. 4.
      Murder

      アーティスト: The Crystal Method

    5. 5.
      Name of the Game

      アーティスト: The Crystal Method

    6. 6.
      The Winner

      アーティスト: The Crystal Method

    7. 7.
      Ready For Action

      アーティスト: The Crystal Method

    8. 8.
      Ten Miles Back

      アーティスト: The Crystal Method

    9. 9.
      Over the Line

      アーティスト: The Crystal Method

    10. 10.
      Blowout

      アーティスト: The Crystal Method

    11. 11.
      Medley

      アーティスト: The Crystal Method

作品の情報

メイン
アーティスト: The Crystal Method

ゲスト
アーティスト: Scott WeilandTom MorelloJon Brion

その他
アーティスト: DJ Swamp

商品の紹介

The Crystal Method spent three long years proving their devotion to the dance underground, and in the meantime separated themselves from the 1997 big beat bonanza that pigeonholed their debut full-length, Vegas. Tweekend is still something of a crossover record for many dance fans; the frameworks of these songs, and the changes within them, are obvious and unsurprising to anyone who's seen a few soft drink commercials. Still, Ken Jordan and Scott Kirkland are solid, experienced producers, and that makes all the difference. The opener, "PHD," is an excellent piece of slow-grind electronica, flaunting a thick, heavily tweaked acid wash of funky breaks. The duo also dips into rap-rock for "Name of the Game," using guitarist Tom Morello (Rage Against the Machine) and some heavy metal scratching courtesy of Beck's DJ Swamp. Morello actually appears as co-producer on three tracks, and despite his lack of experience with electronica -- Rage records usually included the declaration that all sounds had been produced by only guitar, vocals, bass, and drums -- the tracks he appears on are the best on the record. The other big guest spot is reserved for another heavy rocker, Scott Weiland of Stone Temple Pilots, and he also proves surprisingly complementary to electronica; deserting his usual sand-blasted croon, Weiland delivers an emasculated vocal more reminiscent of prime new wave than grunge. Though the mid-tempo beats and nearly shlocky rhythms are a bit passe for 2001, the Crystal Method have obviously come a long way since the heyday of 1997. ~ John Bush
Rovi

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