Garra

「Que Bandeira」も収録!マルコスが1971年にリリースした名作が待望のリイシュー!

60年代にボサノヴァ第2世代としてシーンに登場したマルコス・ヴァーリ。しかし、1960年代末から1970年代前半にかけて、彼の音楽は新時代を迎え、ボサノヴァだけでなくロック/ソウル/ジャズ/サイケフォーク/サンバ/北東部のバイアォンなど、様々な音楽のエッセンスをごった煮にした作品をリリースするようになった。

本作、『Garra』は、マルコスが1971年にリリースしたスタジオアルバム。クラウヂアによるカバーも人気が高い「Com Mais De 30」、エヴィーニャも名作『Cartao Postal』でカバーした「Que Bandeira」、レアグルーヴ名曲「Wanda Vidal」、まるでイタリアン・ライブラリーのようなインスト「Minha Voz Vira do Sol da America」など、多様なジャンルのエッセンスを融合させた珠玉の楽曲の数々を収録している。マルコスのメロディー・メイカーとしての才覚がいかんなく発揮された名作であり、そのディスコグラフィーの中でも一際ロック色が濃い作品といえるだろう。2013年にLight in The Atticからのリイシューがあって以来、約12年ぶりとなる待望のリイシュー。是非この機会に!

Tempering his funkier inclinations to create a Baroque masterpiece of easy listening Brazilian pop, Marcos Valle recorded the most entertaining album of his career, and perhaps the best Brazilian pop album of all time. Garra begins with the elegant "Jesus Meu Rei," with a magisterial men's choir echoing Valle's sentiments while textured piano and organ complete the rich sonic palette. Second track "Com Mais de 30," only the first of several ingenious transitions, offers a light, breezy alternative, bouncing back and forth from main melody to an excellent bridge. Indeed, nearly every song has a bridge as strong as -- or stronger than -- the main melody, and Valle proves himself a master at weaving together the various studio musicians at his disposal. Valle moves briskly and assuredly from piano lines to acoustic guitar and back for "Com Mais de 30," combines flutes and a Mellotron for a tight bridge on the title track, and coaxes all manner of emotions from a symphonic orchestra -- hushed yet gradually building strings, bleating brass -- for the unabashed "Black Is Beautiful." Every song is excellent, most in the easy pop vein of Samba '68. "Wanda Vidal," "Vinte e Seis Anos de Vida Normal," and the perfectly done closer, "O Cafona," are seamless blends of funk and easy listening; the last features a rangy bassline, organ, and wah-wah guitar working together with handclaps and separated men's and women's backing choruses while Valle breathily repeats words and phrases several times before climaxing at the end of nearly every line. Continually besting symphonic seducers from Esquivel to Brian Wilson, Marcos Valle recorded his masterpiece with Garra. ~ John Bush