Flogging Molly expand their Celtic-punk sound with an album that's more mature, more polished, and not quite as intense as its predecessor, although it does have its share of high-energy numbers. There are some thrashing punk tunes, some folk ballads, some relatively mainstream hard rock (although there's usually a tin whistle or fiddle to remind you this is Flogging Molly), a Cajun feel on "Tomorrow Comes a Day Too Soon" (which showcases Matt Hensley on accordion), a brief a cappella performance by Dave King ("The Wrong Company"), and even a duet with Lucinda Williams on "Factory Girls." The songs address such topics as U.S. foreign policy in the Middle East ("Screaming at the Wailing Wall"), Irish workers on 17th century sugar plantations in Barbados ("Tobacco Island"), and being prepared to leave nothing behind at death ("Don't Let Me Die Still Wondering"), with nostalgia as a common theme in several songs. The band sounds a bit softer than before, with the mix relatively de-emphasizing electric guitar in favor of other instruments, but this album should still appeal to fans of Flogging Molly's previous work. ~ Todd Kristel
Rovi
シンガロング向けの歌メロ、哀愁の音色を奏でるフィドルやアコーディオン……フロッギング・モリーの新作は、一言で言うと〈号泣しながら猛ダッシュする7人のカントリー・パンクス〉ってな感じ。しっとりとした楽曲の配置もほどよく(ルシンダ・ウィリアムスも参加!)、泣いたり暴れたりと大忙し。今年行われたカジュアルティーズとの来日公演で涙した人はもちろん、より幅広い層からの支持をも獲得しそう。黒ビール呑みてぇ。
bounce (C)野牛 博
タワーレコード(2004年11月号掲載 (P82))