Adrian Younge Presents: Something About April

Adrian Youngeをコンポーザー、サンプル使いの音源として不動の地位に押し上げた作品。生々しいアナログ・ソウルとサイケデリック・ロックの原始的な音のエッジがにじみ出たサウンドは、エンニオ・モリコーネの最高のサウンドトラック作品やピンク・フロイドの初期のカタログと並べても遜色のない仕上がり。

Technically speaking, Venice Dawn is not Adrian Younges follow-up project to the excellent Black Dynamite soundtrack. The seeds of this album were planted in 2000, when Younge, under the spell of Ennio Morricone and other composers of late-60s and early-70s film scores, circulated a thousand copies of Adrian Younge Presents Venice Dawn, an EP of dreamy psychedelic instrumentals composed and performed by himself. Over a decade later, he conceived Venice Dawns conceptual Something About April. This time, hes joined by his band, including male and female vocalists, who detail a late-60s love story about two people trembling with desire and fear: a married black man and his paramour, a younger white woman. Film scores still inform Younge and companys sound here, but the overriding feel is that of psychedelic soul and pop filtered through decades of breakbeat culture. Virtually the whole album is ripe for sampling -- the vamping keyboards, snarling guitars, baleful horn blasts, impassioned wails, and, of course, crisp drums, all bathed in reverb and skillfully enhanced with studio effects. Theres also the matter of one particular keyboard, the Selene; created by Younge and his associates, its accurately described as akin to a modern Mellotron and gives the material a uniquely eerie twist that no other album can boast. Younges crate-digging streak is perceptible throughout -- he even snared legendary guitarist Dennis Coffey for an appearance -- but the lyrics and vocal arrangements are both scholarly and imaginative. Some lines (The fire in your eyes has got me hypnotized) are delivered with such conviction and treated in such a manner that the relationship sounds so deeply conflicted as to induce psychosis. On the sweeter side, some songs vividly convey new-love butterflies (The first step on the moon was how it felt to be with you). The whole thing is too evocative for any set of moving images to do it justice. ~ Andy Kellman