マショー: 恋人の死

「卓越した学術性、活気のあるプログラム構成、一貫した高水準の演奏」と『グラモフォン』誌に称賛されたオルランド・コンソートによるマショーの全曲シリーズの第11巻で最終巻です。
ユニバーサル・ミュージック/IMS

Guillaume de Machaut (1300-1377) is often accounted as the first great composer, and his life would make an interesting movie, but his music can be difficult to get a grip on at a distance of nearly 800 years. The long series of works devoted to Machaut by the all-male Orlando Consort (with a countertenor on top) has been of great value in elucidating his work. The key is to mix up the genres to hear the ways he played with forms. The theme here, as it is in much of Machauts music, is courtly love. However, the Orlando Consort frames the program with four motets, the most learned of Machauts work, with multiple texts and sophisticated rhythmic devices. In between are virelais, rondeaux, and ballades, each with its own pattern of sectional repetitions. There is even a solo virelai, Liement me deport; most collections avoid solo pieces, but they made up a good deal of Machauts output. The end result is that one feels plunged a bit into the composers world. Some might want a more youthful sound here, but it is not clear that that would have been appropriate. As good a place as any to start with Machaut. ~ James Manheim