Rock/Pop
LPレコード

Hellbilly Deluxe 2

0.0

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5,690
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フォーマット LPレコード
発売日 2025年01月10日
国内/輸入 輸入
レーベルMusic On Vinyl
構成数 1
パッケージ仕様 180g重量盤
規格品番 MOVLPB3831
SKU 8719262038295

構成数 : 1枚
エディション : Reissue

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Jesus Frankenstein
    2. 2.
      Sick Bubblegum
    3. 3.
      What?
    4. 4.
      Mars Needs Women
    5. 5.
      Werewolf, Baby!
    6. 6.
      Virgin Witch
  2. 1.[LPレコード]

    【B面】

    1. 1.
      Death And Destiny Inside The Dream Factory
    2. 2.
      Burn
    3. 3.
      Cease To Exist
    4. 4.
      Werewolf Women Of The SS
    5. 5.
      The Man Who Laughs

作品の情報

メイン
アーティスト: Rob Zombie

商品の紹介

As a director or as a musician, Rob Zombie shows no signs of closing the door on either of his creative endeavors anytime soon. Returning with his first album since 2006’s Educated Horses, after several delays following this record’s completion in 2008 -- due to his work on Halloween 2, lack of promotion, and time spent shopping for a new label after 18 years of recording for Geffen -- Zombie has since gone on to say that the songs on Hellbilly Deluxe 2 were his easiest to write. This could be because it was his first outing to include help from his bandmates (longtime touring comrades guitarist John 5, bassist Piggy D, and drummer Tommy C) but it’s probably more attributed to the fact that making songs like these is old hat by now. “Jesus Frankenstein,” “Sick Bubblegum,” and “Mars Needs Women” are the same schlocky grooves that made up his five previous solo records and six White Zombie records. His trademark “yeah” and monotone hoedown growl are still front and center, the B-horror movie references are still plentiful (Frankenstein, martians, witches, and two songs about werewolves), and the chugging guitars and dark, sleek beats are still trashy enough to be stripclub staples. Chris Baseford’s production is thick throughout, withstanding the single, “What,” a song Zombie and company wrote and recorded in only a few hours. Influenced by ‘60s garage rock, the vocals are run through a maximal amount of mid-range distortion and accented by temporize clinks and organ riffs behind the usual crunch. At this point in his career, his best move is to take these types of risks, and when he does so on the ten-minute closer “The Man Who Laughs,” with its underlying orchestral score by Tyler Bates (composer for the Halloween remakes The Devil’s Rejects and The Watchmen), the results are compelling and unnerving in a good way. ~ Jason Lymangrover
Rovi

ゾンビ・イズ・バック! 近年はホラー映画の監督/脚本家としての地位も築いたロブ・ゾンビが、ついに4年ぶりとなる新作を投下! これはソロ・デビュー・アルバムにして歴史的名盤『Hellbilly Deluxe』の続編で、特徴であったインダストリアルからメタルまでをブレンドした集大成的な内容だ! そして最後の曲ではやっぱり登場、トミー・リー。今回は4分に及ぶドラム・ソロを披露しているぞ!
bounce (C)山口コージー
タワーレコード(vol.318(2010年2月25日発行号)掲載)

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