Keep on Loving You is contemporary country legend Reba McEntire's debut recording on the semi-independent Valory Music Company label's Starstruck imprint. It's her first new studio outing since her comeback effort, Duets, and her mammoth triple-disc hits package that fulfilled her contract to MCA Nashville, her label home for nearly 20 years. Despite its release on an indie, the production and approach are anything but, with the album being produced by Tony Brown and Mark Bright. The cream of country music's current chart crop wrote its 13 songs; it is certainly a radio-friendly collection that is supposed to showcase McEntire's adaptability and that she's still "got it," and can still score in the contemporary marketplace. There's no doubt that will happen, from the title track, a midtempo ballad that is saturated in compressed guitars and Hammond B-3, big repetitive choruses, and a chorus of fiddles and backing vocals. McEntire's voice hasn't lost even a touch of its range and power; she's a belter who can hang with the best of them. The set opener (and its first single), "Strange," with its acoustic guitars, mandolin, and fiddle intros, is like something from the backyard until about 20 seconds in, when a wall of guitars a la John Rich arrives and her vocal spits out lyrics that tell of a woman who feels strange that she should be wrecked after a love affair, but she's fine. It feels more like Gretchen Wilson than Reba McEntire. "I Want a Cowboy" and "Pink Guitar" sound more like McEntire is being backed by the Charlie Daniels Band circa 1979 than her own touring unit. "She's Turning 50 Today" is a trademark McEntire-delivered ballad about a woman who has been abandoned by her husband and decides to leave the wreckage of her life behind. It's the kind of bittersweet power ballad that the singer is famous for, and is delivered with characteristic aplomb even as the production behind her tries its hardest to get in the way. The bottom line here is that Keep on Loving You may jar some longtime Reba fans on first listen, but despite the record's sound it's all her in this mix, and they will more than likely celebrate this. As far as the new fans this set clearly hopes to gain, it's got the right elements; if country music's finicky youth-obsessed radio and video machine can hear this set for what it is, listeners will connect in droves. ~ Thom Jurek
Rovi
一昨年の『Duets』に続けて全米チャートを制した、女帝リーバの新作。カントリーの勢いが際立つ現行のUSシーンにおいては当然の結果だけど、彼女の強さは歌を聴けばすぐわかる。前作で若い血を吸った成果か、ブルック&ダンのカヴァーに古典的な女心を注ぎ込んだ表題曲から、唾を吐くようなブギーまで、〈枯れ〉に逃げることなく多様な女性像を歌い分ける名優ぶりが良い。気合いの入った目頭も、とても御年54歳とは思えんわ。
bounce (C)出嶌孝次
タワーレコード(vol.314(2009年09月25日発行号)掲載)