Where You Want to Be builds on the hardcore-power-meets-pop-skills of Taking Back Sunday's debut, Tell All Your Friends, and reveals the group to be, in many ways, a quintessential latter-day emo band. Not because they're redefining the style's sound, but because their music is defined by so many of emo's nearly cliche tendencies. A gerund-led band name? Check. Cryptically bittersweet titles like "Little Devotional"? Present and accounted for. Shouty, anthemic vocals, string-driven ballads like "New American Classic," and wordy, confessional lyrics ("Give me a chance? Whatever...you're so hit or miss, and that's so '93") are all in place as well. However, while Where You Want to Be might be more than a little (stereo)typical, it's not embarrassing; songs like "A Decade Under the Influence," "One Eighty by Summer," and "Number Five With a Bullet" do have some real impact, and show some songwriting growth since Tell All Your Friends. But since the band doesn't take the occasionally cringe-worthy risks of some of their emo brethren, Taking Back Sunday sometimes comes off as less than distinctive, and the album can sound like a generic soundtrack to generic teenage angst; even though it's a nearly universal subject, it should never sound routine. Where You Want to Be is definitely a solid album -- especially considering that it was recorded so soon after half the band was replaced -- but crafting something a little more unique would take Taking Back Sunday's music that much farther. [Where You Want to Be was released with a bonus CD of songs and videos from like-minded Victory Records artists, including Hawthorne Heights, Bayside, Action Action, and Silverstein.] ~ Heather Phares
Rovi
サーズデイに代表されるエモーショナル・ハードコアのメインストリームへ、名門ヴィクトリーから満を持して現れたNY出身の5人組。胸を熱くさせる切ないメロディーラインの歌い上げと、強烈なインパクトでキレのあるスクリームのツイン・ヴォーカルが絡む叙情派コア・サウンド。パワフルかつ繊細な楽曲作りはシーンのなかでもトップクラスのクォリティーを誇り、全米での人気も赤マル急上昇中!
bounce (C)藤井 大樹
タワーレコード(2004年08月号掲載 (P82))