Prize

構成数 : 1枚
合計収録時間 : 00:49:09
Personnel: Arto Lindsay (vocals, guitar); Vinia Mojica, Beans, Kazu Makino (vocals); Andres Levin (acoustic guitar, keyboards, pandeiro, programming); Vinicius Cantuaria (acoustic guitar, drums, percussion); Davi Moraes (electric guitar, timbal, caixas, surdo, pandeiro); Eyvind Kang (violin, viola); Sandra Park, Sharon Yamada (violin); Robert Rinehart (viola); Allen Stepansky (cello); Bob Malach (clarinet, saxophone, horns); Micah Gaugh, Casey Benjamin (saxophone); Michael Leonhart (trumpet, melodica); Peter Scherer (piano); Melvin Gibbs (keyboards, bass, programming); Dougie Bowne (keyboards); Skoota Warner, Rod Gross (drums); Cyro Baptista (cuica); Brian Eno, I-Sound. Producers: Andres Levin, Melvin Gibbs, Arto Lindsay. Principally recorded at Fun Machine Studios, New York, New York and Gi's House, Salvador, Bahia. Personnel: Arto Lindsay (vocals, guitar); Beans, Vinia Mojica, Kazu Makino (vocals); Andres Levin (guitar, acoustic guitar, keyboards, pandeiro, programming); Vinicius Cantuaria (guitar, acoustic guitar, drums, percussion); Dari Moraes (electric guitar, caixa, pandeiro, surdo, timbales); Eyvind Kang (violin, viola); Sandra Park, Sharon Yamada (violin); Robert Rinehart (viola); Alan Stepansky (cello); Michael Leonhart (melodica, trumpet); Bob Malach (clarinet, saxophone, tenor saxophone, horns); Micah Gaugh, Casey Benjamin (saxophone); Peter Scherer (piano); Dougie Bowne (keyboards, drums); Melvin Gibbs (keyboards, programming); Scooter Warner, Roderick Gross (drums); Cyro Baptista (cuica); Brian Eno (sound effects). Audio Mixers: Patrick Dillett; Tim Latham. Recording information: Fun Machine Studios, New York, NY; Gi's House In Salvador, Bahia, Brazil; Magic Shop, New York, NY; Salvador, Bahia, Brazil; Sear Sound Studios, New York, NY. Photographers: Larry Lame; Michael James O'Brien ; Chris Winget; Nic Tenwiggenhorn. If listeners want to hear 100% authentic Brazilian music, they have plenty of alternatives besides downtown guitarist/singer/songwriter Arto Lindsay, but they'd miss the eclectic, scrapbook approach that Lindsay--a native Brazilian but musical polyglot--relishes. On this 1999 release, which topped many critics' annual best-of lists, the mood is laidback, sultry, but always playful, with enough oddball numbers ("Ondina," "PRefeelings") to satisfy fans of Lindsay's no-wave days.
録音 : ステレオ (Studio)