Saboreando - Pot Full Of Soul

N.Y.ラテンのゴットファザー/名ディレクター、ボビー・マリンが中心となって組んだラテン・ソウル・プロジェクト、107th STREET STICKBALL TEAM が1969年にリリースしたアルバムが復刻!

当時のブロンクス・ラティーノのボス的プロデューサー、RALPH LEWが密かに興していた DORADO というマイナー・レーベルに残したヴィンテージ・ラテンの傑作。ファンキーでダイナミックなブーガルー&シンガリング系のサウンドが魅力の1枚。ボビーのバックには、リカルド・マレーロ、ジョーイ・パストラーナ、バーナード・パーディ、ルイ・ラミレス、オーランド・マリン、オッシー・トレンスら一流のミュージシャンが名を連ねる。エンジニアはジョン・フォスティ。

当時ソウル・ミュージックは、ラテン世代、ひいては若者市場一般から、伝統を打ち破る異質なものとして見られていた。ボビーが「Mojo Shingaling」や「Rhythm and Soul」などの名曲を歌っているこのレコードは、アフリカン・アメリカンとキューバ音楽の親和性やつながりを強調し、シーンを象徴するような説得力のあるブレンドで、若い世代に自分たちだけの新鮮な音楽があると感じさせた。LPのノートに、「107th Stickball Teamはグルーヴィーな若者の集まり」と書かれているのも頷ける。

専門家パブロ・イグレシアスによるライナーノーツ付き。

In the late 1960s, producer and arranger Bobby Marin had the concept for an album based on the sounds and experiences of his youth in his Spanish Harlem neighborhood. Credited to the 107th Street Stickball Team, this LP was rehearsed and recorded on the same day, fusing Latin music with soul and a bit of pop and boogaloo. The liner notes to the 2009 CD reissue of this rarity infer that this was a concept album of sorts, but while Marin's background undoubtedly fueled his vision of the record, it's really a collection of unrelated songs, not a series of tunes that tells a story or elaborates upon certain constant themes. It's a pretty fair mixture as far as such Nuyorican albums of the era go, but it's not quite as exciting or innovative as some of the collector buildup might portend. It does sound at times like the work of several bands rather than a single artist, with "On Old Broadway" fusing soul-pop with light Latin jazz and salsa; others, like the Spanish-language "Toma Guajira," getting into more straight salsa-jazz fusion along the lines of Willie Bobo; "Barbara with the Kooky Eyes" (great song title) going for an instrumental boogaloo; and other songs getting into more of an updated Latin/doo wop hybrid feel. Though the sound and grooves are pretty cool, the material does seem to have been hastily written and recorded, with a shortage of really outstanding compositions and somewhat lo-fi sound by 1969 standards. It's not a plus, either, that the best song, "On Old Broadway," has a chorus that virtually replicates the one from Petula Clark's "Downtown" melodically. The 2009 CD reissue does benefit from thorough historical liner notes explaining the album's genesis, as well as three interesting bonus cuts from an unreleased, slightly earlier boogaloo album by the Nitty Sextet in which Marin was also involved. ~ Richie Unterberger