Rock/Pop
CDアルバム

Night At The Opera, A

4.8

販売価格

¥
2,849
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2002年08月19日
国内/輸入 輸入
レーベルParlophone
構成数 1
パッケージ仕様 -
規格品番 CDP7894922
SKU 077778949220

構成数 : 1枚
合計収録時間 : 00:00:00
Queen: Freddie Mercury (vocals, piano); Brian May (guitar, harp, ukulele, background vocals); John Deacon (electric piano, acoustic & electric basses); Roger Taylor (percussion, background vocals).
Recorded at Sarm Studios, Roundhouse Studios, Olympic Studios, Scorpio Studios, Landsdowne Studios, London, England and Rockfield Studios, Wales.
Though they began their career practicing an artier, more theatrical variant on the Led Zeppelin heavy rock sound, Queen was always capable of much more. Ultimately, Freddie and the boys were popsters at heart, and capable ones to boot. A NIGHT AT THE OPERA is where they begin to show their eclecticism and compositional facility. The album title is probably a reference to the FM rock anthem "Bohemian Rhapsody," which begins as an existential ballad before moving into a mock-operatic section featuring scores of overdubbed Freddie Mercurys.
"Rhapsody" is just the tip of the iceberg here. "Lazing on a Sunday Afternoon" is a music hall ditty that owes a debt to the Kinks. "'39" is a surprisingly poignant folk-rocker written and sung by Brian May. "You're My Best Friend" is pure '70s AM melodic pop. Queen even ventures into vaudeville territory (given Mercury's show biz leanings, not as much of a stretch as one might think) on the fatalistic, old-timey "Good Company." There are several souped-up rockers here as well, but it's A NIGHT AT THE OPERA's winning stylistic experimentation that makes it a milestone in Queen history.

  1. 1.[CDアルバム]
    1. 1.
      Death On Two Legs

      アーティスト: Queen

    2. 2.
      Lazing On A Sunday Afternoon

      アーティスト: Queen

    3. 3.
      You're My Best Friend

      アーティスト: Queen

    4. 4.
      I'm In Love With My Car

      アーティスト: Queen

    5. 5.
      Sweet Lady

      アーティスト: Queen

    6. 6.
      Seaside Rendezvous

      アーティスト: Queen

    7. 7.
      Good Company

      アーティスト: Queen

    8. 8.
      '39

      アーティスト: Queen

    9. 9.
      Prophet's Song

      アーティスト: Queen

    10. 10.
      Love Of My Life

      アーティスト: Queen

    11. 11.
      Bohemian Rhapsody

      アーティスト: Queen

    12. 12.
      God Save The Queen

      アーティスト: Queen

作品の情報

メイン
アーティスト: Queen

オリジナル発売日:1975年12月

商品の紹介

Mojo - "...An imperial extravaganza, a cornucopia; a band of hungrily competitive individualists on a big roll of friendship and delight..." Q - Ranked #41 in Q's "100 Greatest British Albums" Q - 3 Stars - Good - "...Even 'Bohemian Rhapsody' pales into significance next to the epic eight-minute toss of 'The Prophet Song'..." Uncut - 3 stars out of 5 -- "[L]istening again to A NIGHT AT THE OPERA is a reminder of the extent of the band's barmy diversity." Q - Ranked #2 in Q Magazine's "10 Essential Reissues Of 2006." Q - "It's a record to which all four contributed fine songs, and one of extremes -- among the crashing rock and proggy wigouts were love songs, acoustic whimsy, a trad-jazz pastiche and a brace of vaudeville show tunes." Q - 4 stars out of 5 -- "A NIGHT AT THE OPERA gave Queen their first Number 1, houses 'Bohemian Rhapsody,' and includes everything from spaced-out prog-rock to '30s-era vaudeville..." Uncut - 5 stars out of 5 -- "Containing not one but two monumental epics, and gorging on grandiose gestures galore, A NIGHT AT THE OPERA secured itself instant classic status." Record Collector - 4 stars out of 5 -- "'Sweet Lady' bites with the ferocity of the most grizzled heavy metal..." Q (02/06, p.108) - 5 (out of 5) - "...A NIGHT AT THE OPERA remains glorious, monumental. It is British rock's greatest extravagance." Classic Rock (04/06, p.60) - "...this album found the group's four talents at their most complementary..."
Rovi

Though they began their career practicing an artier, more theatrical variant on the Led Zeppelin heavy rock sound, Queen was always capable of much more. Ultimately, Freddie and the boys were popsters at heart, and capable ones to boot. A NIGHT AT THE OPERA is where they begin to show their eclecticism and compositional facility. The album title is probably a reference to the FM rock anthem "Bohemian Rhapsody", which begins as an existential ballad before moving into a mock-operatic section featuring scores of overdubbed Freddie Mercurys.
"Rhapsody" is just the tip of the iceberg here. "Lazing on a Sunday Afternoon" is a music hall ditty that owes a debt to the Kinks. "'39" is a surprisingly poignant folk-rocker written and sung by Brian May. "You're My Best Friend" is pure '70s AM melodic pop. Queen even ventures into vaudeville territory (given Mercury's show biz leanings, not as much of a stretch as one might think) on the fatalistic, old-timey "Good Company". There are several souped-up rockers here as well, but it's A NIGHT AT THE OPERA's winning stylistic experimentation that makes it a milestone in Queen history.|
Rovi

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity. No one in the band takes anything too seriously, otherwise the arrangements wouldn't be as ludicrously exaggerated as they are. But the appeal -- and the influence -- of A Night at the Opera is in its detailed, meticulous productions. It's prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else. ~ Stephen Thomas Erlewine
Rovi

メンバーズレビュー

11件のレビューがあります
4.8
82%
18%
0%
0%
0%
分離が凄い…
自分は最近レコードにハマってるにわかです
オリジナルの盤を聞き込んだ経験がありせんので肝心のレーベル違いによる差異はあまりレビュー出来ず、機材のしょぼさもありますが…
とにかく左右の分離っぷりが凄い印象を受けました
ステレオ右と左ではっきり別れていて、queenの実験精神(遊び心?)が伝わってきて聞いてると面白くなってきます
ピークはもちろん、ボヘミアンラプソディーです
ただ、レコードでのqueenはこの商品で初めて聞きましたが、デジタルリマスターでならよくある、「聞こえなかった音がよく聞き取れる」的な印象は意外とありませんでした
自分はサブスクでも聞いてますが、ドルビーアトモス的なクッキリハッキリ感はレコードって無いんですね
ドルビーでなら「こんな箇所でこんなフレーズあったのか」という発見が即座にあるのです
しかし、そのフレーズとやらは何処だったか…?レコード再生中には、つい探してしまいました
オリジナルに忠実なレーベルなのかもしれませんね
ジャケットは綺麗で重量感のある盤が魅力的なのですごく満足ではあります
0
世界中の音楽ファンを虜にした大名盤。やはり⑪“Bohemian Rhapsody”は圧巻!オペラとロックの美しい極限世界をわずか数分で完璧に仕上げたのは<発明>といえましょう。また、ロジャー・テイラーが③で高音美声を披露。ジョン・ディーコン作の④がシングル・ヒットするなど、メンバー全員が才能を更に発揮!ロックの歴史を塗り替えた名盤です。
2020/05/06 kkさん
0

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。