Breaks, Blues And Boogies

構成数 : 1枚
合計収録時間 : 01:11:07
Personnel: Vic Dickenson (trombone); Vic Dickenson; Freddie Green, Al Casey , Herb Thomas, Jimmy Shirley, Allan Reuss (guitar); Edmond Hall, Barney Bigard (clarinet); Benny Carter (alto saxophone, tenor saxophone); Eddie Barefield, Ernest Purce, Lem Davis, Willie Smith (alto saxophone); Coleman Hawkins, Don Byas, Ernie Powell, Fred Williams , Lester Young , Ben Webster (tenor saxophone); Lincoln Mills, Doc Cheatham, Emmett Berry, Courtney Williams, Hot Lips Page, Howard McGhee, Louis Armstrong, Sidney DeParis, Dick Vance (trumpet); Joe Britton, Jimmy Archey (trombone); Dodo Marmarosa, Eddie Heywood, Wesley Jones, Sanford Gold, James P. Johnson, Albert Ammons, Sir Charles Thompson, Sonny White, Charlie Beal (piano); Denzil Best, Al Taylor, Johnny Otis, Big Sid Catlett, Zutty Singleton, Jack Parker (drums); Mary Lou Williams (piano); Eddie Heywood and His Orchestra, Benny Carter & His Orchestra . Liner Note Author: Tony Watts. Recording information: 04/01/1941-09/06/1946. Ensembles: Mary Lou Williams; Billy Taylor, Sr. ; Denzil Best; Dodo Marmarosa; Don Byas; Eddie Heywood; Edmond Hall; Emmett Berry; Courtney Williams; Lem Davis; Hot Lips Page; Israel Crosby; Al Casey ; Sanford Gold; James P. Johnson; Jimmy Shirley; John Simmons ; Al Hall ; Al Lucas; Albert Ammons; Louis Armstrong; Allan Reuss; Red Callender; Big Sid Catlett; Sidney DeParis; Barney Bigard; Zutty Singleton; Ben Webster; Jack Parker ; Dick Vance; Charlie Beal. Unknown Contributor Roles: Benny Carter & His Orchestra ; Mary Lou Williams; Eddie Heywood; L. Young. Prior to leading several fine recording ensembles during the 1950s, trombonist Vic Dickenson made a name for himself as an expressive, resilient sideman during the 1930s and '40s. Breaks, Blues & Boogies, a 21-track salute released by Topaz Jazz in 1997, concentrates upon his adventures during the years 1941-1946 as he sat in with ensembles led by saxophonists Coleman Hawkins, Benny Carter, Lester Young, and Lem Davis, trumpeter Louis Armstrong, clarinetist Edmond Hall, and pianists James P. Johnson, Albert Ammons, Mary Lou Williams, and Eddie Heywood. This enjoyable swinging compilation has a lot in common with A True Trombone Master, a comparable Vic Dickenson sampler put out on EPM Musique's Jazz Archives in 2001. Six titles are duplicated between the two editions, but don't let that scare you away from obtaining both. Reasons for choosing Topaz's portrait of Vic Dickenson in the '40s include larger helpings of Louis Armstrong, James P. Johnson, and Lester Young as well as the two somewhat uncommon Lem Davis recordings, which do not appear on the Jazz Archives collection. ~ arwulf arwulf
録音 : ステレオ (Studio)