| フォーマット | CDアルバム |
| 発売日 | 1995年01月24日 |
| 国内/輸入 | 輸入 |
| レーベル | Magna Carta |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 1081 |
| SKU | 026245108127 |
構成数 : 1枚
合計収録時間 : 01:03:04
Cairo: Bret Douglas (vocals); Alec Fuhrman (vocals, guitar); Rob Fordyce (vocals, bass); Mark Robertson (piano, Hammond organ, keyboards, synthesizer); Jeff Brockman (drums, electronic percussion).
Personnel: Alec Fuhrman (vocals, guitar); Rob Fordyce, Brett Douglas (vocals); Mark Robertson (piano, organ, keyboards, synthesizer); Jeff Brockman (drums, electronic percussion).
Audio Mixers: Alec Fuhrman; Jeff Brockman; Mark Robertson .
Recording information: Cairo West Studios, Marin County, CA.
Photographer: Ross Pelton.
Arrangers: Rob Fordyce; Alec Fuhrman; Jeff Brockman; Mark Robertson .
Nestled somewhere between art rock and symphonic prog, Cairo's self-titled release is a blend of melodious, synth-induced music accompanied by the rich voices of three singers. Implementing basic Hammond organ and grand piano movements into their material, their neo- progressive structure mirrored bands like Pendragon and IQ, constituting a crisp, refined sound. Certain instrumental stretches come off as elaborate and powerful throughout the album, but on the whole the material from this American band is typical of every other post-1990 progressive group. Some sharp keyboard treks and bombastic percussion is prevalent throughout the six tracks, especially on the lofty-sounding "Ruins At Avalon's Gate," a 22-minute finale that merges all of Cairo's instrumental elements into the most amicable portion of the album. Like most progressive music, the synthesizers and other accompanying keys take full precedent here, but the album slightly lacks in solidity and fails to breed any unique qualifications with respect to its genre. ~ Mike DeGagne
録音 : ステレオ (Studio)

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