Soul/Club/Rap
CDアルバム

Return To The 36 Chambers : The Dirty Version

5.0

販売価格

¥
2,190
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 1999年04月15日
国内/輸入 輸入
レーベルElektra
構成数 1
パッケージ仕様 -
規格品番 61659
SKU 075596165921

構成数 : 1枚
合計収録時間 : 01:00:05
Personnel includes: Ol' Dirty Bastard; Method Man, The RZA, Raekwon The Cheff, The Genius, Ghost Face Killer, Lord Buddah Monk, Master Killer, Prodigal Sun, Zoo Keeper, Murdoc, Killer Priest, 12 O'Clock, Shorty Shit Stain, 60 Second Assassin (vocals). Producers: The RZA (tracks 2-3, 5-8, 10, 12-16); Ol' Dirty Bastard, True Master (track 4); Ol' Dirty Bastard (track 9); Ethan Ryman, Ol' Dirty Bastard (track 11); Big Dore (track 17). Engineers: Ethan Ryman (tracks 2, 4, 11); The RZA (tracks 3, 6, 9-10, 15); Ethan Ryman, The RZA (track 5); The RZA, Tim Latham (track 7); Jack Hersca (tracks 12-13, 17); Jack Hersca, The RZA (track 14); John Wydrycs (track 16). Recorded at Chung King Studios, Fire House Studio, Battery Studio and 36 Chambers Studio, New York, New York. All songs written or co-written by R. Jones. Samples include "Hip Hug Her" (as performed by Booker T. & The MGs). RETURN TO THE 36 CHAMBERS: THE DIRTY VERSION was nominated for a 1996 Grammy Award for Best Rap Album. Personnel: Ol' Dirty Bastard (vocals). Audio Mixers: John Wydrycs; Buddah Monk; Deden Sumandani; Martin Czembor; Ol' Dirty Bastard; RZA; Tim Latham. Photographer: Danny Clinch. "I'll grab the mic and I'll damage ya," boasts Ol' Dirty Bastard on his debut. Along with his producer, The RZA, the man with no father to his style has crafted a fine record, both solid and experimental--a Wu-Tang Clan solo project that can stand alongside the group's groundbreaking album. Whether crooning "Somewhere Over The Rainbow" mid-song or speaking in tongues, ODB constantly stretches the limits of what an MC sounds like. He'll damage your sensibilities, perhaps even your speakers--but remember, no pain no gain. The success of hip-hop albums often rests on the character of a rapper; and though Ol' Dirty Bastard may not have the pure skills of Method Man, his persona is as complex as it gets. "The reason why I curse is cause my momma and daddy, they grew up cursing, so please respect my style," he states, demonstrating awareness of his image. The image is important: a staggering, foul-mouthed street urchin, ODB balances his braggadacio with humility (at least twice, he thanks us for listening). He explodes mid-sentence with exclamations, repeatedly punctuating his "Brooklyn Zoo" with a menacing "What?!" He may be unpredictable, but for the most part he's good-natured. For fans of the Wu, this is a must have, truly a RETURN TO THE 36 CHAMBERS. But ODB is not just filling the void until the next Wu-Tang album; he is making the case that if The Genius is the Clan's head and Method Man its heart, Ol' Dirty Bastard is its sex drive and funny bone.
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Intro

      アーティスト: Ol' Dirty Bastard

    2. 2.
      Shimmy Shimmy Ya

      アーティスト: Ol' Dirty Bastard

    3. 3.
      Baby C'mon

      アーティスト: Ol' Dirty Bastard

    4. 4.
      Brooklyn Zoo

      アーティスト: Ol' Dirty Bastard

    5. 5.
      Hippa to da Hoppa

      アーティスト: Ol' Dirty Bastard

    6. 6.
      Raw Hide

      アーティスト: Ol' Dirty Bastard

    7. 7.
      Damage

      アーティスト: Ol' Dirty Bastard

    8. 8.
      Don't U Know

      アーティスト: Ol' Dirty Bastard

    9. 9.
      The Stomp

      アーティスト: Ol' Dirty Bastard

    10. 10.
      Goin' Down

      アーティスト: Ol' Dirty Bastard

    11. 11.
      Drunk Game (Sweet Sugar Pie)

      アーティスト: Ol' Dirty Bastard

    12. 12.
      Snakes

      アーティスト: Ol' Dirty Bastard

    13. 13.
      Brooklyn Zoo II (Tiger Crane)

      アーティスト: Ol' Dirty Bastard

    14. 14.
      Proteck Ya Neck II: The Zoo

      アーティスト: Ol' Dirty Bastard

    15. 15.
      Cuttin' Headz

      アーティスト: Ol' Dirty Bastard

    16. 16.
      Dirty Dancin'

      アーティスト: Ol' Dirty Bastard

    17. 17.
      Harlem World

      アーティスト: Ol' Dirty Bastard

作品の情報

メイン
アーティスト: Ol' Dirty Bastard

オリジナル発売日:1995年03月14日

商品の紹介

ウータン・ファミリーのソロ活動が始動され、2号機として飛ばされたのがこのODB!ウータン・クランでもイカれたスキルを武器に注目を浴びていただけに、この95年のソロ・デビューの衝撃はハンパないものであった。しかもこのジャケットはホームレス・シェルター用の食料引換えパスを用いた架空の証明書だったのだが、彼はそのパスをそのままマジで使ってたらしいからそれはそれでスゴイ話!RZAのストイックなトラックを破壊する仰天フロウのこのギャップ感はある意味本当に素晴らしい!“Shimmy Shimmy Ya”オススメです!
タワーレコード(2009/04/08)

Rolling Stone (4/20/95, p.78) - 4 Stars - Excellent - "...With his raspy, lisp-punctuated voice and half-sung, half-rapped style, [Ol' Dirty Bastard] may well be the most original vocalist in hip-hop history..." Entertainment Weekly (3/31/95, p.61) - "...This solo effort by a second member of the near-platinum Wu-Tang Clan showcases the raw, innovative talent of their illest member....RZA's signature dissonant piano loops [sparkle] behind Dirty's delirious, reverberating delivery..." - Rating: A- The Wire (10/01, p.46) - "...Deeply entertaining..." Vibe (5/95, p.97) - "...Ol' Dirty's catchy sing-along...is paired with subtle keyboards and the RZA's typically murky beats, yielding a mystic's brew, which, like all Wu-related fare, defiantly flies in the face of conventions....the aural pleasures are...convincing..." The Source (5/95, p.65) - 4 Stars - Slammin' - "...The third shot fired in the Wu-Tang revolution spotlights the crazy drunken flow of the Ol' Dirty Bastard....a must-have for every real hardcore head....hardcore lyrics kicked live over a non-stop assault of that addictive Shao-lin funk..." Melody Maker (4/22/95, p.35) - Recommended - "...an hour of cruel hard and frighteningly funny hip hop; the perfect companion piece to Wu-Tang's 36 CHAMBERS...the songs are driven by a vicious, unstable urgency..." Village Voice (2/20/96) - Ranked #39 in Village Voice's 1995 Pazz & Jop Critics' Poll.
Rovi

As a member of the Wu-Tang Clan, Ol' Dirty Bastard's bizarre, free-form rants added both comic relief and a dangerous unpredictability to the group's chemistry. ODB's RZA-produced solo debut Return to the 36 Chambers stretches his schtick over a full album, which if anything makes him sound even more unbalanced. Long before the album ends, it's clear that ODB has emptied his bag of tricks -- loose, off-the-beat raps that sometimes don't even rhyme, unbelievably graphic vulgarity, gonzo off-key warbling (which sounds a little like Biz Markie as a mental patient), and general goofing off. Yet within that role as hardcore rap's clown prince of psychosis, ODB is pretty damned entertaining. His leaps in association are often as disturbing as they are funny, whether they're couched in scatological detail or not; they certainly don't make his widely publicized erratic behavior seem at all surprising. And, despite the unstructured feel dominating most of the album, there are a fair share of hooks, and two absolutely killer singles in "Shimmy Shimmy Ya" and "Brooklyn Zoo." Certainly, there's no reason for the album to be as long as it is, considering the dull filler toward the end. But, even though Return to the 36 Chambers might not be the most earth-shattering piece of the Wu-Tang puzzle, it's an infectious party record which proves that, despite his limitations, Ol' Dirty Bastard has the charisma to carry an album on his own. ~ Steve Huey
Rovi

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WU-TANGイチの個性派というレベルを遥かに上回る常軌を逸したクレイジーっぷりが最高すぎる奇才の初ソロ。
何も言わず聴けばトベる「Shimmy Shimmy Ya」から、アリシア・キーズもサンプリングした「Brooklyn Zoo」まで、これはエミネムもダニー・ブラウンも敵いません…
2020/04/27 88さん
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