Fragments Of Music, Life And Death Of Albert Ayler

1993年、ベルリンで開催されたフリー・コンサート出演時のライヴ音源が新規リマスターで初LP化!

ペーター・ブロッツマン、近藤等則、ウィリアム・パーカー、ハミッド・ドレイクによるカルテット、DIE LIKE A DOG(ダイ・ライク・ア・ドッグ)がFMPから1994年にリリースしたアルバム「フラグメンツ・オブ・ミュージック、ライフ・アンド・デス・オブ・アルバート・アイラー」(CD)が新規リマスターでの初のアナログ盤LP化。

1993年8月19日、ベルリンにあるシャルロッテンブルクのタウンホールで開催されたフリー・コンサート出演時のライヴ音源です。アイラーのようにサックスを吹きまくるブロッツマンにドン・チェリーのようにトランペットを吹きまくる近藤等則。バックを固めるウィリアム・パーカー、ハミッド・ドレイクのリズム隊。

フリー・ジャズのファンに自信を持ってお薦めできるホットでスピリチュアルなライブが約束されています。

This first recording of the Die Like a Dog Quartet is fittingly subtitled Fragments of Music, Life and Death of Albert Ayler. In the liner notes (in both German and English), Peter Brotzmann writes of his passionate empathy for a musician whom he considers a kindred spirit; Brotzmann feels a link with Ayler since each were doing a similar thing "at the same point in time" although neither musician had heard the other. And so, lightly scattered throughout this first meeting of the Die Like a Dog Quartet are fragments of quotes from Ayler's Bells, "Ghosts," "Prophet," and more. In August 1993 Brotzmann was joined for a live concert in Berlin by legendary free jazz trumpeter Toshinori Kondo (who also occasionally utilizes electronics effects) and the wondrous rhythm section (although they are no straight time-keepers) of bassist William Parker and percussionist Hamid Drake. And so here, on one recording, you get four musicians who, whenever they're playing, play with every ounce of their attention, passion, and ability. Add to this each musician's great ability on his respective instrument and you get music that is alternately moving, invigorating, and astonishing. The dynamics range from rattles, long, low breaths, and short staccato blurts to the kind of exploding intensity and energy that is usually associated with Brotzmann. There are also two takes (one, just over a minute long) on the standard "Saint James Infirmary" that come at the beginning and end of the three-part "No. 2." ~ Joslyn Layne