Triple Point

米KRANKYレーベルを代表するアーティストの1人、カナダのサウンドアーティスト"LOSCIL"が2001年にリリースした大名盤『TRIPLE POINT』が、未発表曲を追加し初のLP化!
熱力学の法則をコンセプトに作られたこのアルバムは、アカデミックな要素も感じさせながら、抽象的でノスタルジーに溢れた霞んだ情景も同時に思い起こさせる、2000年代にリリースされたアンビエント・テクノ作品の中でも「最も多彩な情景を形作るアルバム」の1つと言い切っても過言ではありません。淡々と進む実験室で鳴り響くようなメロディーとビートに、時折顔を覗かせるダビーなベースラインが混じり合う瞬間の素晴らしさは形容出来ません。

The drummer from Destroyer, a fellow named Scott Morgan, moonlights as Loscil. With Triple Point, it appears he's made a laptop ambient concept record about thermodynamics. Some hints: "Hydrogen," "Discrete Entropy," "Fuel Exergy," "Enthalpy," and "Vapour." Wait -- the record isn't even close to being that boring. (And at least Morgan uses actual pronounceable words as titles for his compositions, rqkght? Rqkght.) Snagging the listener early on with the sublime pulsing of "Hydrogen," Morgan regularly finds a central texture or rhythm and applies as little ornamentation as possible for maximum impact. Throughout the remainder of these 60 minutes, the listener is treated to finely detailed and rather glitch-free ambient. Aside from the relatively amiable and forward flow of the opener, Triple Point vacillates between the haunting and the soothing. It's almost a shame that the record doesn't bear the logo of a label that's more known for delivering this type of thing. Having been released by Kranky -- a label that's nonetheless established and as forward-looking as they get -- their logo probably won't be able to attract the attention of experimental techno fans who remain loyal to a few select labels and choose not to venture outside of that tiny realm. Pay no mind to the label and pay no mind to the producer's locale (Vancouver isn't Cologne or Detroit); Triple Point is one of the finest -- and most varied -- ambient techno releases of 2001. ~ Andy Kellman