1954年発売 アメリカン・ジャズ・ヒーロー=デイヴ・ブルーベック・カルテット 初期の傑作ライヴ盤『Jazz Goes To College』

1954年発売。アメリカン・ジャズ・ヒーロー、デイヴ・ブルーベック・カルテットの初期の傑作ライヴ盤『Jazz Goes To College』。1954年の春にデイヴ・ブルーベック(ピアノ)、ポール・デスモンド(アルト・サックス)、ボブ・ベイツ(ベース)、ジョー・ダッジ(ドラムス)のメンバーで北米の大学を回るツアーを敢行した際のライブ音源。デューク・エリントン「A列車で行こう」他全6曲を収録。当時の大学生の間で人気を博し、新しい世代にジャズを普及させた名盤。

発売・販売元 提供資料 （2024/05/31）

Dave Brubeck (piano) began his Columbia Records association on a second album of material that his quartet had cut during its spring of 1954 tour of North American college campuses, Paul and Daves Jazz Interwoven (1954) being the first. Joining Brubeck are Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums), whose support of Brubeck is uniformly flawless, ultimately producing what many consider as the most memorable music in the artists canon. "Balcony Rock" commences the platter from sides documented at the University of Michigan in Ann Arbor. The heavily improvised tune is formed on an eight-bar blues as Desmond steers the combo via his inspired and lyrical leads. The bouncy "Out of Nowhere," comes via a show at the University of Cincinnati and centers on Brubecks uncanny timing as his passages quickly vacillate between edgy and atonal to decidedly more fluid and melodic. Again, Desmond is nothing short of exemplary as his sax weaves around the rhythm section. "Le Souk" hails from Oberlin College in Ohio and provides Desmond another strong vehicle. His lines tie Bates prominent propulsions together with Dodges solid backbeat and Brubecks similarly aggressive bashing. This takes place behind Brubecks emphatic and frenetic pounding and garners considerable appreciation by those in attendance. The sturdy bop supporting Duke Ellingtons "Take the A Train" is given further fuel thanks to the combination of Desmonds straightforward and unfettered blows and Dodges punchy interjections. "The Song Is You" is a minor masterpiece as Desmonds efforts resonate his exceptional fluidity. In fact, practically the whole track is marked by his cool, limber phrasing, with Brubeck taking the helm only briefly at the end. The refined and stately reading of "Dont Worry Bout Me" reaches far beyond the blues intimated by the sense of forlorn in Brubecks contributions, thanks to the simple if not austere arrangement. The converse can be said regarding the striking energy of "I Want to Be Happy" as the band leans in hard with a purpose and finesse that can be eloquently summed up in the final phrase as all four members seemingly draw the song to a dynamic and dramatic conclusion. Indeed the genre gets schooled on Jazz Goes to College, a (dare say) perfect representation of the Dave Brubeck Quartets pre-Time Out (1959) antics in the preferable concert performance setting. ~ Lindsay Planer

Rovi