This Is How Tomorrow Moves＜Red Vinyl＞

全世界で累計50億回、2023年のみでも10億回のストリーミング再生を記録したフィリピン出身、ロンドン育ちののシンガー・ソングライター、ビーバドゥービー待望のサード・アルバム!

伝説的プロデューサー、リック・ルービン(ビースティ・ボーイズ、Run-D.M.C.、レッド・ホット・チリ・ペッパーズ、メタリカ、アデル)と前作に引き続きジェイコブ・バグデンが共同プロデュースし、カルフォルニア州マリブにあるスタジオ、シャングリラにてレコーディングされた
2018年にThe 1975やリナ・サワヤマ等が所属するロンドンのレーベル、Dirty Hitと契約し、2枚のEPをリリースするとNMEアワード「新人賞」を受賞、更にBBCの名物企画「Sound of 2020」にもノミネート。2020年にデビュー・アルバム『Fake It Flowers』をリリースしUKアルバム・チャート初登場8位を記録。2022年には2ndアルバム『Beatopia』をリリース。2022年にはサマーソニックにて初来日を果たすと2023年にはテイラー・スイフトのオープニング・アクトとしてUSツアーを周っている。

This Is How Tomorrow Moves is the forthcoming third album from artist beabadoobee, recorded at Shangri-La in Malibu and set to release on her long-standing label, Dirty Hit. This Is How Tomorrow Moves captures Beabadoobee's confidence and introspection, with themes of self-acceptance and personal growth woven throughout. It stands as a testament to her artistic evolution and resilience, marking a significant milestone in her career.

Bea Kristis post-Beatopia projects hinted that Beabadoobee might be entering a new phase. Her tender 2023 Valentines Day single "Glue Song" and the Laufey collaboration "A Night to Remember" suggested a more poised and reflective incarnation of her music was on the way, and This Is How Tomorrow Moves confirms that hunch. As befitting an artist who appeared on Taylor Swifts Eras tour and worked with producer Rick Rubin, Beabadoobees third album is, musically and lyrically, her most mature to date. She makes both aspects immediately apparent on the slinky, self-aware opener "Take a Bite," which nods to vintage adult alternative sounds in its shuffling groove as Kristi acknowledges how tempted she is by self-destructive behavior -- and how shes not ready to break those patterns yet. Shes just as transparent on "Girl Song," a painfully honest accounting of all her insecurities, and on "Tie My Shoes," where she connects her relationship troubles to her issues with father over glossy production that sounds light years away from her earlier work. Working with Rubin allows Beabadoobee to fully realize the different sounds she tried out on Beatopia. She gives her jazzy leanings more heft with the bossa nova rhythms of "A Cruel Affair" and the brushed drums and syncopated rhythms that back "Real Man"s come-ons and putdowns. When she harks back to the 90s, her touchstone is Elliott Smith rather than Pavement or Sonic Youth, whether she invokes him directly on the wry closing track "This Is How It Went" or borrows his fondness for waltz rhythms and Beatlesque melodies on "Coming Home" and the domestic bliss of "One Time." Kristi still sounds amazing on the handful of tracks where shes in front of a swelling crest of guitars, like "Beaches," "California," and "Post," but its clear that this sound is just one part of her music instead of the main event on This Is How Tomorrow Moves. Fortunately, it feels more like a continuation of her artistic restlessness than an effort to distance herself from her past, especially when forays into folk and country like "Everything I Want" and "Ever Seen" (which she wrote while touring with Swift) sound more winning and genuine than couldve been imagined. Beabadoobee refuses to be boxed in as she grows as a woman and artist, and on This Is How Tomorrow Moves, she dares her listeners to keep up with her changes. ~ Heather Phares

全世界で累計50億回のストリーム数を誇るロンドン育ちのシンガー・ソングライター。〈サマソニ〉出演やテイラー・スウィフトのオープニング・アクト経験などを経て登場したサード・アルバムは、リック・ルービンをプロデューサーに招聘! 彼女の中に血肉化されていたオルタナの息吹が作品の隅々に行き渡ったかのようで、これまで以上の自信と成熟を感じさせる力作だ。
bounce (C)大原かおり