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Rock/Pop
CDアルバム

Live in Aston, 1977

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フォーマット CDアルバム
発売日 2024年05月31日
国内/輸入 輸入
レーベルMute
構成数 1
パッケージ仕様 -
規格品番 CDFDSPOON68
SKU 5400863143695

構成数 : 1枚
合計収録時間 : 00:46:47

  1. 1.[CDアルバム]
    1. 1.
      Aston 77 Eins
    2. 2.
      Aston 77 Zwei
    3. 3.
      Aston 77 Drei
    4. 4.
      Aston 77 Vier

作品の情報

メイン
アーティスト: Can

商品の紹介

The fifth volume of Cans archival live series dates from 1977, during the brief period when former Traffic member Rosko Gee was playing bass and occasionally singing for the band. (Former Traffic percussionist Rebop Kwaku Baah was also part of Can during this period, but he doesnt appear on this concert recording.) The show took place in Aston, Birmingham, England during the same month the band released Saw Delight, an Afro-Latin funk excursion generally considered one of Cans least successful efforts, though some fans regard it as being misunderstood and still worth a listen. The full concert lasted for nearly an hour and a half and included a performance of one song from the album, "Sunshine Day and Night." However, most bootlegs of the concert that have circulated only include the first four songs, and those are what appear on this official release. The first track, a non-album piece listed on Box as "Fizz," is a steady, loping rhythm with deep, dubby bass, incandescent organ, and wild guitar licks. Holger Czukay, no longer playing bass with the band, pipes in taped voices and electronics from time to time. The rest of the selections on the release are all based on tracks from earlier Can albums, starting with a solid if straightforward reading of "Vitamin C." The third track has been referred to as a version of "Pinch," but its faster and less funky than on Ege Bamyasi, and without Damo Suzukis electrifying presence, it hardly counts as the same song. Still, its an adventurous performance that really heats up during the middle and changes directions towards the end. The final track is a faster take on the wobbly groove of Soon Over Babalumas "Dizzy Dizzy," building it up to an organ-heavy garage-psych overload. While it wouldve been nice to hear where the rest of the show went from there, Live in Aston, 1977 ends on an exhilarating high note. ~ Paul Simpson
Rovi

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