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Rock/Pop
LPレコード

Wasteland, Baby! (5th Anniversary)<限定盤/Colored Vinyl>

0.0

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6,590
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フォーマット LPレコード
発売日 2024年04月19日
国内/輸入 輸入
レーベルIsland
構成数 2
パッケージ仕様 -
規格品番 5892713
SKU 602458927139

構成数 : 2枚
合計収録時間 : 01:19:08

  1. 1.[LPレコード]
    1. 1.
      Nina Cried Power
    2. 2.
      Almost (Sweet Music)
    3. 3.
      Movement
    4. 4.
      No Plan
    5. 5.
      Nobody
    6. 6.
      To Noise Making (Sing)
    7. 7.
      As It Was
    8. 8.
      Shrike
    9. 9.
      Talk
    10. 10.
      Be
  2. 2.[LPレコード]
    1. 1.
      Dinner & Diatribes
    2. 2.
      Would That I
    3. 3.
      Sunlight
    4. 4.
      Wasteland, Baby!
    5. 5.
      Shrike [Live at Windmill Lane Studios]
    6. 6.
      Moment's Silence (Common Tongue)
    7. 7.
      Why Would You Be Loved
    8. 8.
      Be [Acoustic]
    9. 9.
      NFWMB

作品の情報

メイン
アーティスト: Hozier

商品の紹介

アイルランドのシンガーソングライター、Hozierのセカンド・アルバム。
発売・販売元 提供資料(2024/03/19)

Hozier's great trick is how he hangs suspended between past and present, drawing upon old forms without sounding traditional. This gift is what fueled "Take Me to Church," a bit of protest neo-gospel that became an unexpected international blockbuster in 2014 -- a success so great, the Irish singer/songwriter was in no need to hurry up with a sequel. He certainly took his time to release Wasteland, Baby!, a sophomore set delivered nearly a half-decade after his debut. Given that lengthy gap, it's appropriate that Wasteland, Baby! feels considered, its every move telegraphing a deliberate decision. That's as true of Hozier's lyrics -- which use Nina Simone and Duke Ellington as signifiers, tying him to a heritage that's not quite his own -- as it is of the ruminative music, which feels contemplative even when the tempo quickens. Hozier may be moody but he doesn't dodge happiness, nor does he avoid modern accouterments. These two trends culminate on "Nobody," a lightly rolling piece of pop-soul that seems nearly ebullient in this context, but even his melancholy moments feel open-hearted. Much of this draws from the same well as "Take Me to Church" -- there's more than a hint of soul and gospel, tempered with arty arena rock that's drawn equally from U2 and Peter Gabriel -- but the overall feeling isn't anguished, it's consoling. It's a subtle but notable shift that lends emotional gravity to a singer/songwriter who already favored weighty topics. ~ Stephen Thomas Erlewine
Rovi

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