Seconds of Pleasure＜限定盤/Colored Vinyl＞

ニック・ロウ、デイヴ・エドモンズ、ビリー・ブレムナー、テリー・ウィリアムスの4人による最高のロックンロール・バンド、ロックパイルの80年唯一作がアナログ・リイシュー。ニック・ロウとデイヴ・エドモンズというソロでも充分な知名度を誇った2人が在籍、それぞれのソロを足したら1+1+1+1が無限大になったようなパブ・ロックの名盤。至高のロカビリー/R&Bルーツへの愛あるカヴァーを交える英国の伝統と、それに引けを取るはずの無い最高のオリジナルをシンプルにポップに、シャープに甘酸っぱく、そして目一杯楽しく演っている、全ロックンローラーに影響を与え続ける歴史的な一枚です。貴方がまだ10代でこのアルバムを聴いた事が無いならそれは幸運です。もし10代を過ぎているならば聴いた事があるフリをして下さい。

At the time of its release in October of 1980, Rockpile's Seconds of Pleasure was viewed in some quarters as a little disappointing, which shows that there are considerable pitfalls that come with high expectations. There was a reason why the album was highly anticipated. During the late '70s, Rockpile was considered one of the great rock & roll bands, earning a reputation for blowing away every headlining act they played with, and they were just as good on record, acting as the backing band for solo albums by the group's co-leaders, Nick Lowe and Dave Edmunds. Although they were a strong presence on the road and on the charts, they had yet to release a recording underneath the Rockpile name, so when Seconds of Pleasure finally appeared, fans and critics alike expected a rip-roaring, rampaging rock & roll record, since that's what their live performances were. What they got was a bit different -- it was still a rock & roll record, but it wasn't down and dirty; it was bright, propulsive, and poppy, filled with big melodic hooks and polished until it glistened. Not what was expected of Rockpile in 1980, perhaps, but time has been nothing but kind to this record and, judged on its own merits, it's one hell of a good time. At its core, Seconds of Pleasure is an invigorating blend of the strengths of Lowe and Edmunds, who may have had a shared love of pre-Beatles rock & roll -- particularly Chuck Berry and the Everly Brothers -- but had very different aesthetics. Edmunds was serious and dedicated to detail, to the point of single-handedly re-creating the sound of Phil Spector and Sun Studios on his early solo albums. On the other hand, there was a reason why Lowe was given the nickname "Basher" -- he loved to get in the studio and bash out the music, preserving the energy, passion, and humor of a band at its peak. Eventually, this caused great conflict between the two -- the band's split was anything but friendly, and a reunion for Lowe's 1990 album, Party of One, was tentative and testy -- but on albums like Nick's Labour of Lust and Dave's Repeat When Necessary (both 1979), it resulted in tremendous music. But both of those records were true solo albums, capturing the personality of each musician. Seconds of Pleasure is a true band affair, a 12-track album split evenly between the two -- five each for Lowe and Edmunds, with guitarist Billy Bremner taking two lead vocals on "Heart" and "You Ain't Nothin' But Fine" -- and while the alternating sequence of one Nick tune, one Dave song suggests that there might have been some tension between the two in the studio, both benefit from the collaboration. At times, Edmunds' precision and devotion to the past can be a little too dogmatic and rigid, and Lowe lightens him up, while Dave brings focus and a bit of polish to Nick's charmingly ragged pop and rock. As a result, Seconds of Pleasure is both focused and loose, rocking hard but with a savvy pop sensibility. Fittingly, the songs play to Rockpile's strengths as both a pop and rock band, while offering a fitting tribute to their flair for excellent covers. Lowe unearths Eddie Phillips and Kenny Pickett's infectious "Teacher Teacher," while Edmunds finds Kip Anderson's "A Knife and a Fork," perhaps the only rock & roll song about overeating, revives the little-known Chuck Berry tune "Oh What a Thrill," and does a barnstorming version of Joe Tex's "If Sugar Was as Sweet as You" -- and with "Wrong Again (Let's Face It)" by Glenn Tilbrook and Chris Difford of Squeeze, he proves once again that he's a tremendous interpretive singer of new wave pop songs. But when it comes to pop songs, Nick Lowe rules this album with six of his finest tunes. He digs out Brinsley Schwarz's old anthem "Play That Fast Thing (One More Time)" and "Fool Too Long," which he tried to give to Dr. Feelgood (here, it's sung by Dave), and both sound rowdy and right in Rockpile's hands; he gives the delightful, infectious "Heart" to Bremner, choosi to be continued...