Hummingbird

Carly Pearce opens Hummingbird by claiming that "Country Music Made Me Do It," providing a de facto keynote for a record where the singer/songwriter discovers sustenance through a full embrace of traditional country music. Make no mistake, Pearce isnt abandoning the country mainstream for the dusty byways of Americana, nor is her emphasis on clean, uncluttered arrangements and sprightly storytelling unexpected. Elements of Loretta Lynn and Dolly Parton could be heard throughout Pearces previous three albums; the difference with Hummingbird is shes pushing this sound to the forefront, opting to sound "timeless" instead of "contemporary." The shift in direction could be due to Pearce needing a change of pace after the heavy lifting of 29: Written in Stone, the 2021 album that found the singer/songwriter exorcising the demons left lingering after a painful divorce. While Hummingbird may not contain the gleaming sheen of 29: Written in Stone, its pointedly lighter emotionally, particularly in its first half when she offers a bit of a renegade strut on "Truck on Fire" and scoots through "Still Blue." The record gets softer and introspective in its back half, culminating with the tender title track, yet even in this stretch she finds space for the spry "Woman to Woman" and classic barroom anthem "Fault Line." With its playful puns, "Fault Line" illustrates one of Pearces great strengths: she hones in on turns of phrase and narratives that should be country tropes but arent. Pearces ability to feel familiar and fresh gives Hummingbird its deep resonance, a trick that does indeed make the album feel timeless. ~ Stephen Thomas Erlewine

内省的な前作『29: Written In Stone』が高く評価されたケンタッキー出身の人気カントリー・シンガー。この4作目でも葛藤や喪失モードは残しつつトーンは外向きになり、カントリー音楽への愛をユニークに表現した冒頭の"Country Music Made Me Do It"から内なる逞しさが滲み出してくる。"We Don't Fight Anymore"にはクリス・ステイプルトンをフィーチャー。
bounce (C)轟ひろみ