AC/DC 活動50周年記念アナログ盤(ゴールド・ヴァイナル)
1980年発売 全世界で4000万枚以上を売り上げたROCKの金字塔『Back In Black』
1980年発売。全世界で4000万枚以上を売り上げたROCKの金字塔となった本作は、ボン・スコットへの哀悼盤であり、AC/DC最大のヒット作。新ヴォーカリストにブライアン・ジョンソンを迎え、AC/DCは新たな歴史を刻み始める。永遠のロック・アンセム「バック・イン・ブラック」や「地獄の鐘の音」「スリルに一撃」「狂った夜」などAC/DCの魅力満載の一枚。全英1位を獲得し、全米では最高4位、さらに5ヶ月間に渡りTOP10に入り、約3年間TOP100にランクインし続け、世紀のベストセラーアルバムとなった。
発売・販売元 提供資料(2024/02/22)
The first sound on Back in Black is the deep, ominous drone of church bells -- or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell. But this implies that Back in Black is some kind of tribute to Scott, which may be true on a superficial level -- black is a funeral cover, hell's bells certainly signify death -- but this isn't filled with mournful songs about the departed. It's a more fitting tribute, actually, since AC/DC not only carried on without him, but they delivered a record that to the casual ear sounds like the seamless successor to Highway to Hell, right down to how Brian Johnson's screech is a dead ringer for Scott's growl. Most listeners could be forgiven for thinking that Johnson was Scott, but Johnson is different than Bon. He's driven by the same obsessions -- sex and drink and rock & roll, basically -- but there isn't nearly as much malevolence in his words or attitude as there was with Scott. Bon sounded like a criminal, Brian sounds like a rowdy scamp throughout Back in Black, which helps give it a real party atmosphere. Of course, Johnson shouldn't be given all the credit for Back in Black, since Angus and Malcolm carry on with the song-oriented riffing that made Highway to Hell close to divine. Song for song, they deliver not just mammoth riffs but songs that are anthems, from the greasy "Shoot to Thrill" to the pummeling "Back in Black," which pales only next to "You Shook Me All Night Long," the greatest one-night-stand anthem in rock history. That tawdry celebration of sex is what made AC/DC different from all other metal bands -- there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black. ~ Stephen Thomas Erlewine
Rovi