UKの中古市場では100ポンドを超える金額で取引されている、Scott Walkerの1995年の傑作『Tilt』が140gアナログ盤で復刻!
復刻にあたってはスコットのエステートとアルバムのオリジナル・プロデューサーであるピーター・ウォルシュの全面的な同意を得て作業を行い、リスニング体験を向上させるために、Abbey Road StudiosのFrank Arkwrightによって140gのアナログ用にマスタリングされ、Miles Showellによってカットされた。

発売・販売元 提供資料 （2024/02/21）

Perhaps not even Scott Walker truly understands this record, which isn't to say that it it's not one of the most ambitious and ultimately rewarding musical experiences of the last few years; it's just that exactly what Walker was thinking when he made TILT remains a mystery to this day. Even Brian Eno, a huge Walker fan and no stranger to the avant-garde, apparently had to walk away from the sessions early on in the recording. Longtime Scott Walker fans shouldn't expect either the Brechtian song-stories of his solo material, or his Spector-influenced work with The Walker Brothers. TILT is the sound of a man swallowed whole by the music industry. Unidentifiable noises pop in and out of the mix as Walker's voice, a beautiful baritone almost unequaled in pop, floats ethereally around, at times seemingly diving deep into an undersea echo chamber. The lyrics are more haiku than iambic pentameter and those expecting a chorus (much less a verse), will be severely disappointed. Whatever TILT is, it's unlike anything you have ever heard.

Rovi