アメリカ・テキサスの狂気あふれる変態パンク/ロックバンド、Butthole Surfersの1st/2nd/ライヴEPが〈Matador〉より最新リマスターにてヴァイナル再発!

ハードコアからメタル、サイケ、更にはファンク、ヒップホップまで様々なジャンルをミックスし独自のサウンドを奏でる伝説的変態バンド、Butthole Surfersの奇妙でグロテスク、そして比類なき最初の10年間に録音された名盤とEPが〈Matador〉より再発!
ヴァイナルでリリースされる3作は、最もジャンク度が高く、悪意に満ちたファースト『Psychic... Powerless... Another Man's Sac』、サイケデリックなノイズにまみれたパンク/ガレージ/ファンクを行き来するスカム・サウンドのセカンド『Rembrandt Pussyhorse』、そしてバンドのツインドラマー体制を初めてフィーチャーしたライヴEPの『PCPPEP』で、すべての作品はバンド監修のもとリマスターされた。
テキサスで出会ったギビー・ハインズとポール・レアリーが1981年に結成したバンド、Butthole Surfersはアメリカの80年代アンダーグラウンドから生まれ、狂気的なライブ・パフォーマンスがカルト的人気を博した、アヴァンギャルド・バンドであり、彼らの伝説はずっと輝きを放ってきた。そんな彼らのスカム・キャリアが今、改めて再評価・再発見される!

発売・販売元 提供資料 （2024/01/31）

The Surfers' Touch and Go debut remains their highlight for many fans, an inspired blast of ugly noise, knowing idiocy, drugged-out insanity and some backhanded surprises. Haynes is still relatively interpretable here; the vocal distortions are only on a few songs, like the opening "Concubine," and what one can't quite understand one can still sense. The band's self-production brings out the mighty rumbles of drummers Coffey and Nervosa and Leary's avant-junkyard guitar work with clarity and a big, thick punch. Leary begins with screwy blues and gentle strums, then cranks up the amps and lets fly. The band also officially recorded their semi-theme song "Butthole Surfer," after which they were accidentally named; the bizarro backing vocals and sudden sped-up shifts at the end are just part of the oddities on display. "Negro Observer" is one of the most straightforward, calmest songs of the bunch, and even that's saying something, with Haynes going off about the title characters -- described as aliens coming to "count heads in singles bars" -- like a barely stable street crazy, insane laughter and all. When it comes to full-on craziness, though, nothing beats the obscene "Lady Sniff," which sounds like an amped-up blues act fronted by a 100-year-old man, and the hallucinatory "Mexican Caravan," with Haynes raving about "that heroin BROWN!" The nods to rock history are subtle but present, from the Black Sabbath-quoting (specifically "Children of the Grave") opening rhythm of "Dum Dum" to the fried Tex/Mex-ranting of "Gary Floyd," written about the legendary Dicks bandleader. However, the Surfers' crazy blend is completely distinctive, taking punk and the inspiration of their acid-addled Texas forebears to new heights. ~ Ned Raggett

Rovi