Yes No Maybe＜Translucent Amber Vinyl＞

One of the numerous R&B strains in Moniquea's self-titled 2011 debut was synth-funk, as heard on lead single "Can't Let You Go," a track that, production-wise, fell somewhere between 1980 Zapp and 1983 Mtume. After that album, the singer -- who is originally from Gary, Indiana, like Deniece Williams, but was raised in Pasadena, California, stomping grounds of stylistic peer Dam-Funk -- gravitated more toward early-'80s sounds with help from XL Middleton and Eddy Funkster. Yes No Maybe is clearly aimed at lovers of electronics-heavy R&B, including the above-mentioned artists and the likes of Midnight Star, Cameo, the System, Kleeer, Gwen Guthrie, and Kashif-produced dynamos like Evelyn "Champagne" King and Melba Moore. The album largely works midtempo and uptempo material for dancefloors, led by the sportive "Casanova (Let You Go)" and "I Don't Wanna Get Used to It," but she and I, CED slow it down a bit for "I Need It All," an unapologetically Yamaha DX7-driven groove. As with Dam-Funk's output, one of the main characteristics that separates this stuff from its inspirations is that the sound is thicker, more bottom-heavy. Moniquea never truly belts or wails. Instead, she keeps to an amiable but assertive approach that fully serves these bounding, flavorful tracks. ~ Andy Kellman

ブギーやブラコンを称するブツが何かと目立つ昨今だが……デイム・ファンク主催のパーティーで活動し、XLミドルトンの諸作でもお馴染みのシンガーが送る本作は、往時のアーバン・ファンク様式をモダンに換骨奪胎した極上の成果の一つだ。可憐で気の強そうな歌声は80年代ライクなパッションを振り撒き、シャープで粋な楽曲には程良い胡散臭さもあって完璧。全編をスタイリッシュに仕上げたXLのセンスも凄まじい。
bounce (C)出嶌孝次