ロシアン・ヴァリエーションズ

ピアーズ・レーンによる刺激的なリサイタルでは、ジョン・フィールドによる短く穏やかでメランコリックなオープニングが、他の3人の偉大なロシアの作曲家による変奏曲作品(グラズノフの『主題と変奏』、チャイコフスキーの『同一主題による6つの小品』、ラフマニノフの『ショパンの主題による変奏曲』)に見られるピアノの力強さを完璧に引き立てています。
ユニバーサル・ミュージック/IMS

Pianist Piers Lane is known more for innovative programming and for his indefatigable contributions to Hyperions giant Romantic Piano Concertos series than for Russian-style virtuosity, and seeing the title Russian Variations, one might expect virtuosity. As it happens, his talents are well-matched to the repertory here, which isnt terribly common. There is one famous virtuoso work, Rachmaninovs Variations on a Theme of Chopin, Op. 22, to conclude the program, and here, Lane is competent. There is plenty in the run-up, however, that is of great interest, and that probably propelled the album onto classical best-seller lists in the spring of 2024. Composer John Field is here not only because his opening set of variations is based on a Russian folksong but also because he lived in Russia for many years. It is a lively work that makes a nice change from the Field nocturnes that are usually heard. Glazunovs Theme and Variations, Op. 72, are virtuosic only in spots; much of the work consists of subtle variations in register based on the original theme, and Lane handles these well. Most interesting of all are the Six Pieces, Op. 21, of Tchaikovsky. These works are often played singly and have been since Tchaikovsky wrote them, but heard as a group, as they rarely are, they are nothing less than a set of variations in which a theme is put through the guises of fugue, impromptu, funeral march, mazurka, and scherzo. Perhaps Tchaikovsky allowed the independent performance for financial reasons, but the fact remains that the structure of the six pieces together as a variation set is unique. Lane once again balances the various factors at work here nicely, and in general, listeners to this album will discover a side of Russian music that they may not have known existed. ~ James Manheim