It Follows

A major part of the impact of David Robert Mitchells 2015 indie horror hit It Follows comes from its deeply creepy score, which was composed by Disasterpeace (aka Rich Vreeland). The films premise is diabolically simple: the heroine, Jay, gets an STD -- thats sexually transmitted demon -- that looks like a human and will slowly, inevitably, stalk and kill her unless she gives it to someone else. Vreelands music is just as powerful in how it channels dread, terror, and hopelessness; even the impressionistic track titles (Anyone, Linger) signal the gut-level emotions he plays on so masterfully. Best known for his albums of chiptune music and his video game soundtracks, Vreelands first film score borrows from some of the best film composers as well as his own oeuvre (several pieces from his score for the puzzle platform game Fez were used in the films temporary music). Dominated by throbbing, droning, and screeching synths, the musics vintage sound mirrors the films hard-to-place era, but also feels very much of its time; It Follows biggest influence is John Carpenter, whose pulsing scores for his films were a fashionable inspiration for many 2010s musicians (Carpenter himself also released an album of non-soundtrack music, Lost Themes, in 2015). Title is the clearest homage to the directors music, riffing on the Halloween theme, but Vreeland also nods to Goblin on Detroits arpeggios, which convey the grandiose decay of the films setting, and to Vangelis on the melancholic character study Jay. The more frightening cues are just as nuanced, spanning the panicky Old Maid, Doppels frantic sheets of noise, and the almost tangible stabbing, pounding, and scratching of the climactic Father. Vreelands reverence for horror music tradition never gets in the way of making his own mark, however, and It Follows is a self-assured and -- most importantly -- truly unsettling debut as a film composer. ~ Heather Phares

青春映画の新たなカルトといってもいい『アメリカン・スリープオーバー』を放ったデヴィッド・ロバート・ミッチェル監督の次作となったのが、全く新しい解釈と描き方でホラーに挑んだ本作。セックスで伝染する「それ」からの逃亡。音楽はゲーム音楽シーンで活躍しているディザスターピースことリッチ・ブリーランド。シネ・エレクトロの可能性を新たに見せたと言える、さまざまなアレンジアイデアによる驚きと親しみやすさの音の洪水。一度聴いたら忘れられないテーマのフレーズ、あまりに音色からビートにいたるまでカラフルに使いこなしての音のホラー・エンタテインメント。 (C)馬場敏裕