Sketches Of Spain＜限定盤＞

マイルス・デイヴィスと巨匠ギル・エヴァンスの名コンビによる、3作目のコンセプトアルバム『Sketches of Spain』が180g重量盤にて復刻!
ボーナストラックには、レコード初収録の「Song Of Our Country」が収録!

1960年にコロムビア・レコードからリリースされた、マイルス・デイヴィスと巨匠ギル・エヴァンスの名コンビによる、3作目のコンセプトアルバム『Sketches of Spain』が180g重量盤、ボーナストラック1曲収録にてリイシュー。
今作『Sketches of Spain』は、ダウン・ビート誌から5つ星の評価を獲得したジャズきっての名作。マイルスは自伝の中で、スペインの作曲家ホアキン・ロドリーゴの「アランフェスのコンチェルト」を聴いたことがきっかけで今作を手掛けたという。また今作はオーケストラ編成となっており、編曲と指揮には、マイルスの盟友でもあるギル・エヴァンスが担当し彼らの3作目となるアルバムに華を添えている。

メンバー:Miles Davis (trumpet & flugelhorn), Gil Evans (orchestra arranged and conducted)
On A1: Bernie Glow, Taft Jordan, Louis Mucci, Ernie Royal (trumpet), Dick Hixson, Frank Rehak (tronbone),John Barrows, Jimmy Buffington, Earl Chapin (horn), Jimmy McAllister (tuba), Romeo Penque (oboe), Harold Feldman (oboe, clarinet), Jack Knitzer (bassoon), Al Block, Eddie Caine (flute), Danny Bank (clarinet),Janet Putnam (harp), Paul Chambers (bass), Jimmy Cobb (drums), Elvin Jones, Jose Mangual (percussion).
Recorded in New York, November 20, 1959.

On A2 & B1-B4: Ernie Royal, Bernie Glow, Johnny Coles,Louis Mucci (trumpet), Dick Hixson, Frank Rehak (tronbone), Joe Singer, Tony Miranda, Jimmy Buffington (horn), Bill Barber (tuba), Romeo Penque (oboe), Jack Knitzer (bassoon), Al Block, Harold Feldman (flute), Danny Bank (clarinet), Janet Putnam (harp), Paul Chambers (bass),Jimmy Cobb (drums), Elvin Jones, Jose Mangual (percussion)
Recorded in New York, March 10, 1960.

Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements. Recorded between November 1959 and March 1960 -- after Coltrane and Cannonball Adderley had left the band -- Davis teamed with Canadian arranger Gil Evans for the third time. Davis brought Evans the album's signature piece, "Concierto de Aranjuez," after hearing a classical version of it at bassist Joe Mondragon's house. Evans was as taken with it as Davis was, and set about to create an entire album of material around it. The result is a masterpiece of modern art. On the "Concierto," Evans' arrangement provided an orchestra and jazz band -- Paul Chambers, Jimmy Cobb, and Elvin Jones -- the opportunity to record a classical work as it was. The piece, with its stunning colors and intricate yet transcendent adagio, played by Davis on a flugelhorn with a Harmon mute, is one of the most memorable works to come from popular culture in the 20th century. Davis' control over his instrument is singular, and Evans' conducting is flawless. Also notable are "Saeta," with one of the most amazing technical solos of Davis' career, and the album's closer, "Solea," which is conceptually a narrative piece, based on an Andalusian folk song, about a woman who encounters the procession taking Christ to Calvary. She sings the narrative of his passion and the procession -- or parade -- with full brass accompaniment moving along. Cobb and Jones, with flamenco-flavored percussion, are particularly wonderful here, as they allow the orchestra to indulge in the lushly passionate arrangement Evans provided to accompany Davis, who was clearly at his most challenged here, though he delivers with grace and verve. Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience, as one encounters a multitude of timbres, tonalities, and harmonic structures seldom found in the music called jazz. ~ Thom Jurek