Bio Ritmo

NYのサルサ・シーンで異彩を放ち、ラテン方面のみならず幅広いファンクやレアグルーヴのリスナーから絶賛されるスーパー・ユニット、ビオ・リトモの2002年発表のセルフ・タイトル・アルバムがオリジナル・テープからのリマスター、ボーナス未発表ライヴ・トラック3曲収録、初のヴァイナル(2枚組LP)としてリリース!

ビオ・リトモはインディ・サルサ・ミュージック復活のパイオニアとして知られているが、この幻のアルバムは彼らのキャリアの第2章において、バンドをハイ・ギアに押し上げた1枚。70年代の古典的なサルサ・ドゥラ・アーティストからインスピレーションを受けながらも、ビオ・リトモは彼ら独自のサウンドを作り上げた。サルサ・ミュージックではあまり見られないような要素をミックスしている音楽的冒険心あふれる内容。

This group brings to life what people like Buena Vista Social Club and the late Tito Puente did for decades before, namely offer up groove-riddled Latin rhythms with enough substance to put them over the top. Led by singer and chief songwriter Rei Alvarez, the band's brass section shines on "El Monte," while the Giustino Riccio/Gabo Tomasini percussion duo keeps the song moving forward. Although it's a tad repetitive over the four minutes, they seem to maintain a great deal of verve in the track. A primal "El Cambio" might bring "Sympathy for the Devil" to one's mind, but the number again returns to a tango-esque hip-shaking melody and a lovably fluid sound. "La Hamaca" takes a slightly different route but achieves the same objective, with Alvarez's vocals coming to the forefront of the impressive tune. "Atrevete" is the first breather on the album, as the downtempo beat rarely gets off the ground. The middle portion is intriguing, however, for the interplay among the musicians, finally getting into gear but still unable to salvage the song. The hypnotic flair to the record is perhaps its biggest selling point, although they tread over similar territory each and every time. "Hermano" is another quality track that is accentuated by Tim Lett and Bob Miller on trumpet as well as Tobias Whitaker on trombone. The funky '70s influence during "Para los Romperos" is also another high moment. Only on the lounge-lizard hues of "El Rayito" does the band become a parody of itself. Nonetheless, Bio Ritmo have their pulse on something that works. ~ Jason MacNeil