Grupo Irakere

キューバンジャズ・ファンク大名盤!キューバの最重要バンド=イラケレの大傑作'76を復刻!

グルーポ・ロス・ジョージ (Grupo los Yoyi)に続く、Mr.Bongoによるキューバン・クラシック再発シリーズの第2弾は、キューバンジャズの最重要バンド=イラケレの大傑作'76を復刻!

チューチョ・バルデスをリーダーに、ジャズ、ファンク、ロック、そして伝統的なキューバ音楽を超絶技巧で融合する大人気グループ=イラケレが、キューバの国営レーベルAreitoに残した1976年作が待望の再発!ダンスフロアを沸かす冒頭の「Chequere-Son」、サンタナを思わせる「Iya」、妖艶ですらある「38 1/2」まで。イラケレ諸作のなかでも屈指の人気を誇るキュバンジャズ・ファンク作品です。

Grupo Irakere is the eponymous, second album by the iconic Cuban jazz-funk/fusion ensemble founded by keyboardist Chucho Valdes. Released in 1975, its a follow-up to Teatro Amadeo Roldan Recital, a collection of demos that actually saw release. The original lineup consisted of vocalist/percussionist Oscar Valdes Campos, Chucho on keys, bassist/conguero Jorge Alfonso, trumpeter Arturo Sandoval, saxophonists Paquito De Rivera and Carlos Averhoff, drummer Enrique Pla, guitarists Carlos Barbon and Carlos Emilio Morales, bassist Carlos Puerto, and bata drummer/conguero Jorge Alfonso. Chucho Valdes composed five of these eight songs, while De Rivera and Sandoval wrote one each. The band also covered Tania Castellanos classic, "En Nosotros." While the rigorous jazz-funk of their 1979 eponymous Columbia debut marks the bands mature sound, Grupo Irakere is rawer, more elaborate and dynamic. Its juxtaposition of Cuban music -- son, descarga, rhumba, bolero, merengue, etc. -- with rock, funk and jazz is seamless, and more kinetic than anything coming out of the U.S. or Europe at the time. One need go no further than the opener, the legendary dancefloor anthem "Chequere Son." Layered polyrhythms from shakers, drum kit, claves, guiro, shekere, congas, and bongos deliver a chunky syncopated vamp underscored by a funky bassline. (It recalls Miroslav Vitous on Weather Reports Sweetnighter. Vocalist Oscar Valdes Campos enters and trades fours in call-and response with chants from the band atop bubbling beats, edgy electric guitar breaks, and burning horns. "38 1/2" (BASF re-released this album in Japan with that title) swings with rippling bongos, congas, and bass under fluid saxes and trumpets that would be right at home on Frank Zappas Waka/Jawaka. "Moja el Pane" commences with a rockist electric guitar that quickly shifts to Cuban carnival style. Valdes Campos moves up front, displaying his considerable gifts as a salsero. Using a beat architecture that straddles R&B and descarga, the chanted vocal interplay between the band chorus and lead singer is as furiously danceable as it is celebratory. Chuchos Rhodes piano solo joins smoking bebop to edgy rock. While instrumental "Este Camino Largo" is as close to straight-ahead jazz as Irakere ever got, "Xiomara Mayoral-Xiomara" is a salsa ballad with a punchy brass and reeds. Closer "Iya" is another dance track that bookends "Chequere Son" perfectly. While easily as intense, its more jazz-centric with the horns delivering a scripted group solo in the middle eight. After that, vocalists chant together as bata, congas, and bongos roil and ripple. Chucho takes a massively funky break on a synth before horns join him in a salsa orgy. Grupo Irakere is a startling portrait of a young band that arrived on the Cuban scene seemingly fully formed. Their infectious, attractive sound proved influential just a few years later. Music fans even remotely interested in Cuban music and Afro-Cuban jazz should snag these before they disappear. [Grupo Irakere and Teatro Amadeo Roldan Recital were licensed, remastered, and re-released by Mr. Bongo.] ~ Thom Jurek