Today And Tomorrow＜限定盤＞

1964年にリリースされたタイナーのimpulse!3枚目のアルバム。
■2つのセッションから生まれた作品で、 ひとつは3人のホーンとジョン・コルトレーン・カルテットのメンバーであるエルヴィン・ジョーンズによるセクステット、もうひとつはベーシストのジミー・ギャリソン(コルトレーンのバンドメイトでもある)とドラマーのトゥーティ・ヒースとのトリオによるもの。
＜パーソネル＞ McCoy Tyner(p) Jimmy Garrison(b) (track 4-6) Albert Heath(ds) (track 4-6)
John Gilmore (ts)(track 1-3) Thad Jones (tp) (track 1-3) Frank Strozier(as) (track 1-3) Butch Warren - (b)(track 1-3) Elvin Jones(ds)(track 1-3)

(VERVE BY REQUEST SERIES)
Verve Records/UMeとThird Man Recordsがパートナーシップを結びスタートする、人気LPの新たなリイシュー・シリーズ「Verve By Request」!
このシリーズは、Verve Label Groupの代表的なレーベルの中から希少な作品やファンからリクエストのあったジャズ・アルバムに焦点を当て、VerveとThird Man Recordsがそれぞれ厳選した作品を毎月2タイトルずつリリースする予定。長い間廃盤になっていた作品や、90年代にリリースされ、当初はCDでしか発売されなかった作品の初回ヴァイナルプレス盤なども提供される予定だ。
オリジナルのアナログ音源から新たにリマスタリングされ、デトロイトのThird Man Pressingでオーディオファイル品質の180g重量盤ヴァイナルにプレス。

McCoy Tyner's fourth studio album has a split personality, with three tracks featuring an intriguing sextet of all-stars, and the rest with his trusty trio, done eight months apart. Perhaps the tracks with bassist Jimmy Garrison and drummer Albert Heath were leftovers from a prior incomplete or aborted full session, but anything Tyner played in this period was precious. The larger ensemble recordings present trumpeter Thad Jones as ostensible co-leader, composer of one selection, and lead soloist. Tenor saxophonist John Gilmore and alto saxophonist Frank Strozier join forces with Thad Jones to make what some might deem an unlikely front-line triad, but effective enough considering their established individualism. Bassist Butch Warren and drummer Elvin Jones support the six-piece band, the first and only appearance for Warren with Tyner while the pianist was still with John Coltrane. The jewel in this collection is Tyner's "Three Flowers," a keeper that his big bands played prolifically later in life. Here the sextet hits the modal 3/4 beat with a thinner harmony under the lithe, soaring, enduring, and beautiful melody line. The Thad Jones contribution "T 'N A Blues" is an easy, basic, and short 12-bar chart with a phenomenal solo from Gilmore, while "Contemporary Focus" is a down-the-Nile signature sound for the controlled modal power Tyner wields, with Thad Jones belting out his bopping solo. The trio tracks are standards done with hints of other songs to begin with. Tyner fools you into thinking he's taking off on "Impressions" when it's actually "A Night in Tunisia"; "Autumn Leaves" has an improvised modal starting point that is quite spontaneous; and the chiming, wanton ballad "When Sunny Gets Blue" drips with all the pure emotion that Tyner can wring out of a weepy piano. The musicianship is so strong that it's hard to deny the high quality of what is presented here. ~ Michael G. Nastos