UKゴス～ハード・ロックの生ける伝説、The Cultの名盤『Electric』のヴァイナル・リイシューが決定!

UK ポスト・パンク・シーンから突如現れ、その後のロック・シーンに多大な影響を与え続けてきたThe Cultによるサード・アルバム『 Electric 』の再発盤が〈Beggars Arkive〉より発売!!1987年にリリースされた本作には大ヒット曲「Love Removal Machine」、「Wild Flower」、「Lil' Devil」など全11曲が収録され、プロデューサーはメタリカからビースティ・ボーイズまでを手がけてきた巨匠Rick Rubin。The Cultのこれまでのポストパンク/ゴス的なサウンドからは一線を画し、アグレッシブで剥き出しなサウンドが際立つ作品となった。アルバムの冒頭を飾る 「Wild Flower」は、轟くようなドラム、炸裂するギター・リフ、そしてIan Astburyのパワフルなヴォーカルが、アルバムのトーンを決定づけている。批評家から大絶賛され、商業的にも大成功を収め、The Cultをハード・ロック・シーンの最前線へと押し上げた『Electric』。ハード・ロックとヘヴィ・メタル・ファンにとっての試金石であり続け、反骨精神とロックンロールのパワーが詰まった名作がついに蘇る!

発売・販売元 提供資料 （2023/10/05）

The roots of Electric lay in another album entirely, Peace, which was recorded with Love producer Steve Brown in a series of sessions that the band found increasingly pressure-filled and fraught with tension. A chance meeting with Def Jam supremo Rick Rubin at an American awards ceremony turned out to be the charm, resulting in the saucy chest-baring stomp of Electric. Rubin chucked all the old recordings for a series of new sessions, stripping everything down and essentially transforming Billy Duffy into the logical successor to AC/DC's Angus Young. Thankfully Ian Astbury decided not to become Brian Johnson, and while his macho yells can't help being cartoonish, he's clearly having fun throughout. Though both band and album caught a lot of flak for their perceived wallowing in dinosaur sounds and styles, the end result is still a fist-punching yelp of energy that demands to be heard at maximum volume in arenas, with a brusque punch in Les Warner's drums to match Duffy's power-chord action. "Love Removal Machine" is still the album's calling card, another in the series of instantly catchy Cult singles. "Li'l Devil" is almost as worthy, while other cuts like "Wild Flower" and "King Contrary Man" would have sounded good in 1973 and sound just as good in a new century. There are a couple of missteps -- "Peace Dog" starts good but ends up being what happens when the Doors are used as a model in the wrong way, while the version of the Steppenwolf classic "Born to Be Wild" should be taken out and shot. Otherwise, an enjoyable pleasure from start to finish -- even if Astbury sings "plastic fantastic lobster telephone" at one point. ~ Ned Raggett

Rovi