Atta＜限定盤/Yellow Vinyl＞

In 2013, Sigur Ros released their seventh album (and sixth Icelandic number one), Kveikur; it was, for them, an unprecedentedly assertive, dark and clanging, industrial-tinged set that defied notions of complacency. After staying busy with side projects, soundtrack releases, and touring in the interim, they eventually returned to the studio for the highly contrasting ATTA -- Icelandic for "eight" -- their first album in ten years. Featuring the lineup of Jonsi, Georg Holm, and Kjartan Sveinsson (without longtime drummer Orri Pall Dyrason), it was produced by the band and Paul Corley (Ben Frost, Oneohtrix Point Never) and recorded with the London Contemporary Orchestra, additional musicians on brass and strings, and intentionally limited percussion by Olafur Olafsson. Recorded in 2022 and inspired by the idea of unity in the face of overwhelming turmoil -- climatic, socio-political, viral, and otherwise -- the persistently warm and majestic, nearly hour-long ATTA often resembles a series of ambient, gradually expanding and subsiding, amorphous sound shapes more than songs. It opens with the relatively brief "Glodh" ("Happy"), whose humming orchestral textures and accents of distorted, heavily edited, otherworldly (and unintelligible) vocals fade in from silence, ultimately reaching lush, soaring heights by the midway point, like a musical representation of a sunrise. Next, the more song-like "Blodhberg," with Jonsis earnest, unadulterated singing, is a poignant and hypnotic ballad with slowly pulsing washes of unison synths and strings. The closest thing to a driving indie rock track here is the denser, tenser "Klettur," which employs a deep, pounding drum for its more structured "verse" sections before dropping the drum, parting clouds, and reaching for the skies during its orchestral climaxes. Other tracks with prominent, affecting vocals include "Mor," with its enveloping layers of shimmer, and the echoing, piano-based "Fall," but ATTA continually juxtaposes sparseness and lavishness, low tones and high notes, and ascending and descending harmonic progressions, culminating in the nearly ten-minute epic "8," which includes the lyrics "Sanne ting som du har sett pa filmer" ("Things like you put on film"). While not the projects most mind-bending or boundary-pushing album, it’s their most stunningly gorgeous, and a successful, timely countermeasure to the symbolic cover art depicting a rainbow in flames. ~ Marcy Donelson

アイスランドのバンドが10年ぶりにアルバムを発表。燃えさかる虹のジャケットという衝撃的なヴィジュアルとは裏腹に、ビートを刻まないアンビエントなサウンドはとても内向的で、かつ艶やかだ。こうした作風は、〈セクシュアル・マイノリティーの人権が後退しているように見える〉とインタヴューで発言するなど、私たちが生きる世界の暗澹たる現状を彼らなりに消化して生み出されたものだと思う。ゆえにサウンドは壮大で慈しみと優しさを醸しながらも、随所で憤怒を垣間見せる。己の情動を明瞭に音として表現できる才気には驚くほかない。言うまでもなく必聴レヴェルの作品だ。
bounce (C)近藤真弥