| フォーマット | CDアルバム |
| 発売日 | 1992年05月13日 |
| 国内/輸入 | 輸入 |
| レーベル | Milestone Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 9143 |
| SKU | 025218914321 |
構成数 : 1枚
合計収録時間 : 00:44:13
Azymuth: Alex Malheiros (vocals, guitar, bass), Jose Roberto Bertrami (keyboards, piano, percussion), Ivan Conti (drums, percussion).
Additional personnel: Paulinho Olivera (flugelhorn), Sidney "Cidinho" Moreira (percussion).
Engineers: Toninho Barbosa, Danny Kopelson.
Recorded at Estudios Rancho, Higienopolis, Rio de Janeiro, Brazil in April 1986 and Fantasy Studios, Berkeley, California in May 1986.
Personnel: Alex Malheiros (vocals, acoustic guitar); Paulinho Olivera (flugelhorn); Jose Roberto Bertrami (piano, keyboards, vocoder, percussion); Ivan Conti (drums, percussion); Sidinho Moreira (percussion).
Audio Remixer: Danny Kopelson.
Recording information: Estudios Rancho, Higienopolis, Rio De Janeiro, Brazil (04/1986/05/1986); Fantasy Studios, Berkeley, CA (04/1986/05/1986).
Photographer: Phil Bray.
Unknown Contributor Roles: Sidinho Moreira; Paulinho Olivera; Ivan Conti; Jose Roberto Bertrami; Alex Malheiros.
By the mid-'80s, "fusion" had long been a dirty word in jazz circles, with the once-interesting melding of jazz and rock marred by far too many lukewarm, noodly, and pop-oriented albums by artists who had forgotten the initial questing spirit of the music. Happily, there was also the Brazilian trio Azymuth, whose records were undeniably slick and full of synthesizers and electronic drums. The key, however, is that the electronics never overpower the percussion, electric bass, and piano that are at the root of the trio's sound. There are a few weak moments (the hip-hop-influenced "Folklore" sounds terribly dated, like a cheap knockoff of Herbie Hancock's "Rockit"), but when Azymuth is exploring the softer side of Brazilian jazz, it's unbeatable. Reflective without being overly mellow, tunes like the playful, Bill Evans-like "Pygmalion" and the tender ballad "Tu Me Delirio" are mainstream jazz that doesn't insult the intelligence. CTI Records fans will particularly appreciate the relaxed grooves of the final two tracks, "Samba da Barra" and "Brazil." ~ Stewart Mason
録音 : ステレオ (Studio)

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