Dave Brock(vo/g/key)を中心に現在も第一線で活躍する"最後のPsychedelic Space Rock"バンド、バンドの代表作にしてライブ作品の傑作としても知られる、英United Artistsから発表された'73年ライブ盤の発売50周年記念盤。

スペイシーなエフェクトとアジテーションが宙を舞う'Earth Calling'から一気になだれ込む'Born to Go'への展開を筆頭に、ダンサー/ライトショーも取り入れた視覚的な要素も交えて全編ドラッグ/サイケ塗れの轟音で名曲の数々が披露される狂乱の演奏/ライブの模様を惜しみなく収録した、このバンドの真髄が理解できる名ライブ盤。

発売・販売元 提供資料 （2023/07/12）

Recorded live in December 1972 and released the following year, Space Ritual is an excellent document featuring Hawkwinds classic lineup, adding depth and weight to the already irrefutable proof that the groups status as space rock pioneers was well warranted. As the quintessential "peoples band," Hawkwind carried 60s countercultural idealism into the 70s, gigging wherever there was an audience. The bands multimedia performances were a perfect accompaniment for inner space exploration and outer space imagination. Though not concerned with rocks material trappings, Hawkwind was among the hardest-working groups in Britain, averaging a show every three days during the year preceding the recordings. Given that, its not surprising that the performances collected here are incredibly tight (though a couple of tracks were edited). Incorporating most of Doremi Fasol Latido, the show for the Space Ritual tour was conceived as a space rock opera and used blend of sci-fi electronics, mesmerizing psych grooves, heavy, earthbound jamming punctuated with spoken word interludes from astral poet Robert Calvert, and nude stage dancers. Though Calverts intergalactic musings date the album, they provide fitting atmospheric frames for Hawkwinds mesmerizing sounds. Calverts manic recital of author Michael Moorcocks "Sonic Attack" (the writer later fronted Hawkwind on several occasions live and in studio), is an exercise in rippling tension that eventually gives way to a sonic explosion on "Time We Left This World Today," thanks in no small part to Nik Turners otherworldly sax, Dave Brocks guitar distortion, and the earth-moving rhythm section of Simon King and Lemmy Kilminster (founder of Motorhead). The track is a signifier. It blueprints the albums most potent material including "Orgone Accumulator," ten minutes of hypnotic Wilhelm Reich & roll that could be the missing link between Booker T. Jones and Stereolab, the pummeling bass blast and psych throb of "Born to Go," and the psychedelic garage jazz titled "Lord of Light." A 1973 advertisement described Space Ritual as "88 minutes of brain damage." That characterization, while hyperbolic, contains a modicum of truth. The albums unhinged meld of prog, acid rock, proto metal, science fiction, fantasy, and jazz dates well, making Hawkwind prophetically influential. ~ Wilson Neate

Rovi