Keepsakes＜限定盤＞

Longtime artistic and romantic partners Alexander Hacke and Danielle de Picciotto describe Keepsakes as their most personal work, focusing on friendship and their own connection rather than universal themes like the fate of mankind. The album was recorded in the Auditorium Novocento in Napoli, one of Europes first recording studios, and the duo were able to draw from its vast, impressive collection of instruments, including a celesta previously owned by Ennio Morricone. Musically, it expands on the sound of their previous albums, mixing postindustrial rhythms and elements of dark cabaret with cinematic grandeur and captivating poetry. Opener "Troubadour" is a curious waltz with sparkling chimes and dulcimer melodies, sounding like a roomful of living toys dancing to a music box. "Aichach" sets suspenseful violins to surging electronics, as if soundtracking an imaginary chase scene. The horn- and harp-driven noir groove of "Anthem" is de Picciottos ode to New York City, despite all of its traffic and pollution. "Mastodon," a dark soundscape blending throat singing, droning metal guitars, and sorrowful strings, sounds frightening at first but ends up as one of the albums most powerful moments. "Lovestuff," a nocturnal processional covered in cricket sounds, and the tense, dramatic epic "Song of Gratitude" are two of the albums most thankful expressions, though the duo prefer strange, mysterious tales over traditional love songs. Likewise, the line "You are the one I love my best until my dying day" stands out during "The Blackest Crow," another stirring, poetic song of everlasting affection. ~ Paul Simpson

ベルリンを拠点に活動するアヴァンギャルド・デュオの5作目。かつてモリコーネらイタリア音楽の巨匠が本拠地としていたナポリの老舗スタジオ〈オーディトリアム・ノヴェチェント〉でレコーディングされ、その空間からも多大なインスピレーションを受けて、彼ら持ち前のシンフォニックで魅惑的なドローン・サウンドがより深化。この退廃的な美しさは唯一無二だ。
bounce (C)野村有正